Chuck Baker & Jon Farmer in Concert

The Monday Night Music Sessions at the Downtown Bookstore have been going just great. There's a nice vibe and positive energy - the closest thing you'll get to Summerfolk over the winter months.

There's a full description of the weekly sessions - Concert Connections link under Folk Society on this homepage.

Speaking of which, we've just added http://www.georgianbayfolk.org/ as a web address that will take you to this page. So summerfolk.org or georgianbayfolk.org, you're here.

February 1st, Chuck Baker and Jon Farmer perform for Concert Night.

Chuck comes from Stayner and created a sensation at Knox Acoustic Cafe when it was running. Jim Ansell, Owen Sound's biggest music fan, has been bugging me for years to bring Chuck back to town so I'm thrilled that he accepted the invitation to play the Bookstore. Chuck writes great tunes, plays a fine guitar.

Chuck Baker's unique sound actively dissolves the traditional boundaries between blues, rock, jazz and even funk. He splendidly fractures the iconic mold of folk, delivering a complex blend of keen riffs, exciting composition, erudite songwriting and an arrestingly percussive style of guitar that punctuates brilliantly. - Nancy Falconer On the Bay Magazine

Chuck Baker is like The Undesirables in one person. - Jennifer Metcalfe LU Radio Thunder Bay

Jon Farmer is a real Summerfolk fan. He's volunteered at the Festival for many years and was a youth performer at the 2009 show. His enthusiasm and good musical taste makes him one of personal favourites.

His Banana Bread song is a good one!

So come on out to the Downtown Bookstore on Monday, February 1st and catch two great performers. That's at 945 2nd Avenue East. Show starts at 7:30.

And check out any of the musical happenings, every Monday night until May long weekend.

Note From Chloe

Just received this email from Chloe Hall who played the 2009 Summerfolk Festival. Well worth sharing:

..........................

Hey Richard,

Can you believe it? We’re finally home, after almost 5 months on the road (across the rest of Canada, Ireland, Scotland, England, France, Germany and Prague), now finding our feet in sweltering Melbourne (it’s 35 degrees today!).

As I settle back into life here, I’ve been thinking back over what an adventure it’s been…

So this is a little note to say a HUGE thank you.
We absolutely loved being part of Summerfolk, and I hope you enjoyed having us.
I can honestly say that, for me, it was THE highlight of the 2½ months in Canada. Total stand out.

Turning the Travelodge into musicians head quarters is a stroke of genius. It was so exciting to meet and play with so many musicians – a rare chance to celebrate our nomadic community together. Also, we felt incredibly well looked after – the hotel, the catering, the instrument lock-up, the tirelessly helpful volunteers, the drivers… Throw in the inclusive vibe, listening audiences and gorgeous setting (and, you know, some half decent music too), and you can see why I’ve been raving about Summerfolk to everyone. We actually included Summerfolk in our weekly road movies, you can see it here. http://www.youtube.com/watch?v=zepUYHq_YL8

So congratulations. I hope you had a fantastic festival too, and that you’re well and happy, gearing up for the winter and another successful event next year.

Thanks again – I’ll look forward to our paths crossing again in the future,

Chloe
PS LOVED mixed-up bands! So much fun, and a great chance to get to know some wonderful musicians. Just brilliant.

The 1st Monday Night Music Session

The inaugural Songwriters Circle was a real treat. Anchored by guest songwriter Larry Jensen and hosts Beth Hamilton & Connie Rossitter of Beckon, we not only learned more about the craft of songwriting but had a great time doing it!
An iconic Owen Sound musician, Larry shared his experiences and expertise of putting music and words together in song.
We then had the opportunity of hearing works-in-progress from others in attendance. Some songs were well-polished, others needed work. That's what it's all about - getting feedback on how to do it better in an atmosphere that allows that to happen. To pick up tips on improving one's songwriting.
Next Songwriters Circle is slated for Monday, December 14th at the Downtown Bookstore. Yours truly will be the guest songwriter - looking forward to it.

Coco Love Show was Great!

Coco Love Alcorn graced the stage at Knox United Church with a mesmerizing show that totally engaged the full house in attendance.
"Coco is an incredible singer. One of the best technical vocalists I can remember seeing." said Jim Ansell of her performance.
Thanks go out to all the volunteers who helped make it happen. Special nod to Steve Ritchie for providing the sound system and Ruth Parsons chair of the GBFS Connections Committee.
Next concert at Knox will be the amazing Jacob Moon on November 20th.

Award for Website

Today, the Summerfolk website - summerfolk.org, received an award for 'Best Marketing - Web' at the Grey-Bruce Regional Tourism Conference.
Quite an honour!
Thanks go to our web guy Paul Murphy for all his ideas and ways he makes the site look good and Ryan Wiseman for his excellent video contributions.
Both these gentlemen are a pleasure to work with and we look forward to keeping Summerfolk and 'off-season' programming information coming here to summerfolk.org.

Summerfolk Reprise Concerts

The Georgian Bay Folk Society proudly presents two hit acts from the 2009 Summerfolk Music & Crafts Festival - Coco Love Alcorn and Jacob Moon.

Alcorn on Friday, October 30th and Moon, Friday November 30th. Both concerts take place at Knox United Church, 890 Fourth Avenue East in Owen Sound. Doors open at 7:30 pm with shows at 8:00.

Nova Scotia born Alcorn has numerous career highlights: touring and recording regularly with Canadian icons 54-40; joining Ani Difranco on a US tour; performing at Lilith Fair; and guesting on nearly 50 albums including recordings by Burton Cummings, Chantal Kreviazuk, Jesse Cook, Kinnie Starr and Loudon Wainwright III.

As a songwriter & vocalist, she embraces her diverse musical influences - jazz, pop, R&B and folk, and weaves them seamlessly into her own distinctive sound. We loved her at Summerfolk. Simply put - we want more!

Make it a night out enjoying a meal at Jazzmyn's or Rocky Raccoon's prior to the show. Check out the 'Coco Love Specials'. After the show, join in the 'Meet & Greet with Coco Love' at Rocky Raccoon's or catch the sounds of Will Ross at Jazzmyn's.

Jacob Moon's passionate vocals and inspired lyrics are given flight by Moon's total command of the guitar. Along with his stunning Summerfolk performances, Jacob won over a sold-out house at the Massie Hall.

For tickets or additional information on these concerts, contact the Folk Society office at 519-371-2995 or email gbfs@bmts.com.

Sunday at Summerfolk

Sunday at Summerfolk

A wonderful way to start your morning! The 'Summerfolk Sunday Morning' concert celebrates the day with song. Hosted by Susan Werner, the 10:30 am show features the African acapella group Soul Influence, the uplifting talents of Jacob Moon, harmonies of The ChoirGirlz plus Vance Gilbert and Suzi Vinnick.

At noon the musical action swings over to workshop stages.

~ On Sunday there are 5 workshops on the Gazebo Stage beginning with a fiddle workshop. Then 'Portuguese' at 1:00 with Tony Gouveia and The Aline Morales Band. Following these great acts, check out 'Fishin' For Love' that includes Trout Fishing in America and Coco Love Alcorn. Next Valdy, Ian Tamblyn, Paul Mills and Cedric Smith perform in 'Coffeehouse Reunion' and 'Vocal Harmonies' at 4:00 wraps up the schedule.

~ Starting things off at Homemade Jam, 'Guitar Pull' highlights some of the best guitar 'pickers' at the Festival. For those who love guitar, this is a must-see. There are Open Stage slots and 'Cultural Exchange II' at 2:00 features Scotland's Brian McNeill, Australia's Chloe Hall and the sounds of Africa with Soul Influence. With more Open Stage slots after that, there are ample opportunities for everyone to play their music at Summerfolk.

~ At the Down By the Bay tent there is a great mix on Sunday - Celtic music at noon, pop songs from England in 'The British Invasion' followed by 'Bluegrass'. Then the wildly-popular 'Mixed-Up Bands' session which is a sight to behold. Performer names are drawn at random and five piece bands are assembled for a one-time only performance at Summerfolk.

~ Two contra dances are planned for Over the Hill - noon and 3:30. 'Mardi Gras' at 1:00 will feature the Cajun and zydeco sounds of Swamperella. 'Dance at the Pavilion' at 2:00 will be your special chance to dance to the Big Band music of The Lighthouse Swing Band - a Summerfolk first!

~ A highlighted performance at The Children's Village will be 'Valdy for Kids'. More smiles await with shows from Benoit Bourque, Bill Russell, Evalyn Parry, Coco Love Alcorn and Mike Stevens. In addition to the music, the hands-on craft activities will ensure children have lots to do at Summerfolk.

~ Summerfolk Choir members return to Under the Willows to prepare for their evening amphitheatre concert. This location is also the home for two workshops on Sunday afternoon - 'A Way with Words' and 'Historically Speaking'

~ Kristan Anderson and his poetry team bring their talents to The Sharing Circle in the afternoon. There will also be a vocal workshop, the annual 'Summerfolk Drum Circle' and an 'Old Tyme Music Jam'. All are invited to participate in these sessions.

Along with the musical fun at the workshops, there is much more to do in the afternoon. Attend the information session on organic food with Ann Finlay-Stewart and Hoots & Hellmouth in the Food Village. The First Nations Villlage features sash making, drumming, Metis fiddling and bannock making.

At the Crafts Demonstration tent you can view the work of stained glass artist Mallori McArthur and learn techniques of the craft.

The Cafe Concert at 5:00 pm is the first of the evening concerts. It will feature the music of Ragleela with a sound that comes from the East Indian music tradition. This quintet features sitar, tabla, percussion, guitar and violin.

The 6:30 set at Down By the Bay is a comedy feast. 'The Last Laugh' will showcase the wit of The Austin Lounge Lizards, Trout Fishing in America and Wendell Ferguson at their side-splitting best.

The Sunday night Amphitheatre Concerts begin at 6:00 with a performance by The Summerfolk Choir. After their weekend rehearsals, the Choir will be ready to take to the stage. Joined by guest performers, the Choir concert at Summerfolk is always a heart-warming moment.

Next up is Australia's Chloe Hall Trio. Following is Owen Sound's own Al Walker with his group Suitcase Walker. The artistry of Evalyn Parry and the musical magic of Vance Gilbert will compliment the terrific Sunday night lineup.

Betty & the Bobs are a seven piece group that oozes talent. Made up of familiar names in folk music, this all-star band is a celebration of song and instrumental prowess - Katherine Wheatley, Wendell Ferguson, Suzi Vinnick, Rich Greenspoon, David Matheson, Soozi Schlanger and David Woodhead.

Tanglefoot's farewell performance on the amphitheatre stage will be a concert to remember. The group has won the hearts of music fans around the world.

Leading up to the Finale, we will have the opportunity to hear songs of Stan Rogers performed by artists who have been inspired by his work. Stan died 1983 in an airplane fire while returning from the Kerrville Folk Festival in Texas. Hearing his work again will remind us of what a great writer he was. Poor Angus, Ariel Rogers, Dan McKinnon and Tanglefoot will each play one of his songs before we get to our tradiional Summerfolk closing - the singing of Stan's "Mary Ellen Carter".

Summerfolk weekend is here! I hope you will join family and friends for the 34th annual Summerfolk Music & Crafts Festival.

Saturday at Summerfolk

Saturday at Summerfolk

On Saturday, August 15th, the Summerfolk gates open at 10:30 am. The musical adventures begin with on the workshop stages at 11:00 and here are some of the highlights.

The GAZEBO STAGE has six workshops on Saturday. 'Images of Women' includes Peggy Seeger, Susan Werner, Darcie Deaville and Evalyn Parry. 'Home & Away' features the music of Bill Bourne, Jacob Moon, James Keelaghan and Vance Gilbert.

HOMEMADE JAM has a couple of 'how-to' workshops to start things off. The first - 'Banjos!' explores, you guessed it, banjo techniques. The second, hosted by Mike Stevens, is 'Something to Harp About' featuring harmonica styles. For much of the day, Homemade Jam is home to the Open Stage where Festival patrons are encouraged to sign up to play their music at Summerfolk.

At 1:00 pm, 'Stories and Songs of Stan Rogers', a tribute to Stan hosted by Paul Mills, is one of the exciting workshops planned for DOWN BY THE BAY. The afternoon sessions conclude with the 'Summerfolk Quiz'. Hosted by Dave Carr and yours truly, two teams of musicians are pitted against the audience in games of musical knowledge and fun.

The join-in dance sessions are featured at the OVER THE HILL...stage. You can participate in contra dancing, enjoy Brazilian drum beats and dance, learn dance steps for Cajun music, and kick up your heels at the 'Quebecois Kitchen Party'.

One of the highlights in the CHILDREN"S VILLAGE will be a performance by Trout Fishing in America at 2:30 pm. The children's area has games, crafts and music, all geared to engage young and old alike.

UNDER THE WILLOWS is the rehearsal area for The Summerfolk Choir. Under the direction of Tom Leighton, audience members can share their joy of singing together. Under the Willows also has 3 workshop sessions between choir practices. 'Musical Portraits' at 2:30 showcases the talents of Erica Wheeler, Suzie Vinnick, Ian Tamblyn and Chloe Hall.

THE SHARING CIRCLE offers the opportunity for everyone to bring their instruments, stories and songs to join-in. Saturday's schedule includes drumming, poetry, fiddle and song sessions plus a bluegrass jam.

Audience members can also participate in JUMBLEJAM. This is a chance to play with the pros, create an original piece of music and perform on stage at Summerfolk. If you sing or play an instrument apply for Saturday's JumbleJam workshop - you might just end up in a band with Katherine Wheatley, Coco Love Alcorn or Valdy.

Another interesting workshop will be FIRE POI in the Summerfolk Circle at 5:00 pm. At 11:00 you can see 'Fire Poi' at night - a unique experience!

Make sure to drop by the CRAFTS DEMONSTRATION tent during the afternoon to view the best work of exhibitors from The Artisan Village. These artists are invited to submit two of their pieces to be included in the Exhibition. Please cast your vote for the People's Choice Award.

The CAFE CONCERT at 5:00 pm features The McFlies. This band plays pop favourites from the 1980s with acoustic instruments. You won't hear anything like it except at Summerfolk!

So that's an overview of the daytime activities... now on to the AMPHITHEATRE CONCERTS for the evening. Starting at 6:00, here is the exciting Saturday night lineup.

Ragleela - featuring the sounds of East Indian Music
Peggy Seeger - famed traditional performer
Ian Tamblyn - songs from an adventurer musician
Tony Gouveia - fado songs of Portugal
Susan Werner - one of North America's finest songwriters
Bop Ensemble - with Bill Bourne, Wyckham Porteous and Jasmine Olhauser
The Austin Lounge Lizards - comedy, bluegrass, western swing
James Keelaghan - the voice of Canadian folk music

Saturday night is also dance time at Summerfolk! OVER THE HILL.... features an 'Evening Country Dance' at 7:30 followed by 'Cajun Dance Party' to the sounds of Swamperella at 9:00.

If you head on over to the DOWN BY THE BAY tent, here is what you will find. Things start off with the 'JumbleJam' bands at 7:00 followed by the music of David Celia. Then The Aline Morales Band bring their Brazilian rhythms to the stage and Trevor MacKenzie's band, Dirty Mack, will offer up a mix of rock and blues.

Next up is a performance by The McFlies. Then you won't want to miss Hoots and Hellmouth who wrap up the festivities at Down By the Bay. The amazing harmonica work of Mike Stevens will be featured during their intermission.

So Saturday at the Festival - a full slate of workshops during the day; two concert venues and a dance at night. It is amazing that all this music can happen in one place, in one day. But that's Summerfolk for you!

Friday at Summerfolk

At 4:30 pm on August 14th, the gates open for the 34th annual Summerfolk Music & Crafts Festival.
One of your first stops should be the Food Village. There you will find delicious treats from any one of the 18 food vendors - sandwiches, salads, pizza and hamburgers along with international fare - Indian curries, Caribbean jerk chicken and Chinese dishes.

Take a table at the Cafe of the Senses and enjoy the music of Scatter the Cats at 5:00 pm. The 'Cats' are a collective of well-known Owen Sound area musicians who perform great tunes with a 'wee' bit of an Irish twist. Then you can polish off you meal with some dessert - homemade butter tarts, cookies, ice cream, yogurt or cake.

The sound of bagpipes signal the Opening Ceremonies at the Amphitheatre stage. Bob Dixon has been 'piping in' Summerfolk for as long as I can remember. Dressed in his Scottish tartan, Bob's music echoes throughout Kelso Beach Park and calls all to take their seats for the evening concerts.

The first words you will hear are those from Dave Carr, the 'Voice of Summerfolk'. Dave is a veteran Owen Sound broadcaster and music aficionado. Following greetings delivered by the dignitaries, the music begins!

Friday night's Amphitheatre concert line-up is full of talent! In order of appearance, the schedule looks like this:

Hard Ryde Bluegrass Band - one of Canada's top bluegrass groups gets things started

Erica Wheeler - a singer/songwriter who paints musical portraits and landscapes

Shane Cook - award winning fiddler along with Brian Pickell, Jake Charron and Tiffany Fewster

David Woodhead's Confabulation - an innovative musical interplay of folk, poetry and jazz

Brian McNeill - Scotland's musical treasure

Hoots & Hellmouth - high-energy acoustic quartet

Valdy - Canada's folk troubadour

Trout Fishing in America - Summerfolk favourites Erza Idlet and Keith Grimwood are back


The Amphitheatre at Kelso is magical. The sound system is finely tuned and every seat is a good one. There is nothing quite like listening to music outdoors. Attending an evening concert in the Amphitheatre at Summerfolk is an unforgettable experience.

By Friday night the artisans have their one-of-a-kind works on display. A stroll through the Artisan Village will reveal a fabulous array of handmade items. These creative artists are selected by jury for the quality of their work and are encouraged to demonstrate and discuss their craft during the weekend.

There's more to do on a summer's night at Summerfolk. The licensed Down By the Bay tent has refreshments and some great music to go with it.

Jacob Moon starts things off at 7:00 pm. Next up, bluegrass fans can catch more of Hard Ryde. Then blues band Daddy Long Legs performs 2 sets with the award-winning Suzi Vinnick playing in between.

Celtic music fans will love Poor Angus who take to the Down By the Bay stage around 11:00 pm. Highland pipes and Irish whistles are accompanied by fiddle, guitar, mandolin, bodhran and bass guitar. Swamperella closes off the evening with their infectious Cajun music sound.

Summerfolk also presents the Friday night Young & Hungry concert showcasing the talents of up-and-coming performers. Host Kristan Anderson will welcome young musicians Jonathan Jerome, Flashlight Radio featuring Ben Whiteley and Suzy Wilde, and the ultra-talented Coco Love Alcorn. The Brazilian music group The Aline Morales Band will polish the concert off in fine style.

On the Young & Hungry bill are also four acts from the Grey-Bruce region. Claire McLeish, Jon Farmer, Sarah Hillis and Liam Sanagan were selected earlier in the year for this appearance at Summerfolk.

Wow! Friday night at Summerfolk is action-packed. With three concerts, Summerfolk fans will have plenty of great music to enjoy.

Dancing at Summerfolk

When we introduced a dance tent at Summerfolk two years ago, I hoped to sometime include a Big Band sound as a part of the programming. This year it is happening!

Recalling the days when dancing to a Big Band was popular in this area, "Dance at the Pavilion" has The Lighthouse Swing Band on Sunday afternoon, August 16th, from 2:00 to 3:30 pm.

Directed by Don Johnson, The Lighthouse Swing Band is a 20 piece group featuring vocalist Shelley Parker and numerous solo instrumentalists.



The band was formed in 1984 by a group of players from Kincardine. Paisley's Shelley Parker joined them in 1985. The present lineup draws musicians from Goderich, Port Elgin, Lucknow, Mildmay, Kincardine and Sauble Beach. One trumpet player even comes up from Burlington for rehearsals every week.

"One of the big changes for the band was getting Don Johnson as our director" says Shelley. "Don retired to Sauble Beach and since 2002, he's made all the difference for us."

"We learn something from him each time out. He does not miss an off-note in the band. We are very fortunate to have him."

"It was Don Johnson who initiated the jazz program at Humber College and was on the faculty for many years. He led many Big Bands in Toronto and was musical director for The Juliette Show on CBC television."

When I asked Shelley about their repertoire she said "We go back to the 40's right up to the present day. Songs like Mack the Knife and New York, New York are always favourites. We even do a version of YMCA. A waltz, bosa nova, tango, jive - you have to be prepared to do them all."

Swing music began in the 1920s, distinguished by a more supple feel than earlier jazz and a walking bass line. After 1935, big bands rose to prominence and had a major role in defining swing as a distinctive style.

The danceable music of bandleaders such as Benny Goodman and Count Basie was the dominant form of popular music from 1935 to 1945.

When I was a young musician starting my own career, we often played at many of the dance halls and pavilions scattered throughout this area. I was always fascinated with the history of the buildings. Constructed for dancing and with great acoustics, they held memories from a great era of music.

"Let's Dance: A Celebration of Ontario's Dance Halls and Summer Dance Pavilions", a book written by Peter Young, recalls this history of Big Band dances in this part of the province. The following are some of beach halls that you might know.

The Balmy Beach Dance Pavilion where Lloyd Kibbler's Orchestra played had the recognition of the best dance floor in Ontario during the late 40's and 50's. The building was demolished in June 1962 and the land sub-divided for home building lots.

Oliphant's McKenzie's Pavilion was built in 1921. During the '30s and '40s, McKenzie's Pavilion attracted dancers from up and down Lake Huron and the Georgian Bay shores of the Bruce and from the city of Owen Sound. Mac McKenzie recalls working at the dance hall with his brother Don. Dressed in white shorts and blue blazers, they took tickets as couples entered the dance floor and made certain that all left after the second dance.

The original pavilion at Sauble Beach, called the Octagon after its unique shape, was built in 1933. Wally Scott (who had his own band) and Jack Robertson purchased the hall in 1946. Later they added a terrazzo floor to the east so couples could dance under the stars on warm summer evenings. In 1950, they flattened the old structure and built a new pavilion on the same site, leaving the open-air portion as it was. The new building with its enlarged interior and outdoor floor could hold up to 2,500 dancers. The Pavilion also hosted Wednesday night country dances with Don Robertson's Ranch Boys. During the Big Band era, one of the popular orchestras to play the pavilion on a regular basis was led by Warren Ovens from Kitchener.

The Annex at Southampton's Breakers Lodge was a popular dance pavilion before it was converted into guest rooms. Russell Knowles built the dance pavilion during the 1920s bringing in well-known orchestras such as Guy Lombardo and His Royal Canadians, Ferde Mowry's group and many others.

Port Elgin's Cedar Crescent Casino was one of the crown jewels along the Lake Huron shoreline. Built in 1924, the hall ran dances six nights a week attracting hundreds of eager residents and summer vacationers. From 1950 to 1964 Lloyd Kibbler's Big Band from Owen Sound was the Casino's house band. The Casino burnt to the ground in 1970.

Long before the Bruce Nuclear Generating Station was even a glow in Ontario Hydro's eyes, the small community of Inverhuron created its own unique energy at the Inverhuron Dance Pavilion built in 1930.

The Kincardine Pavilion is the only hall of its kind still operating along Lake Huron. Inside the hall was a large circular light that looked like a moon when it was illuminated during a song with the word "moon" in the title and also, for the last dance of the night. Music of every type from Big Band to country to rock'n'roll has been performed here. Orchestras included Don Messer, Lionel Thorton, Mart Kenney, the John Brenan Band and Johnny Downs.

Summerfolk's "Dance at the Pavilion" hopes to re-create some of the magic of this bygone era. The Lighthouse Swing Band with trumpet, sax and trombone sections brings swing music to life and is perfect for dancing.

Of course there will be lots of opportunity to enjoy other styles of dance at Summerfolk as well. On Saturday night we feature an Evening Country Dance followed by a Cajun dance.

During the day on Saturday and Sunday there are several contra dance sessions, a Quebecois Kitchen Party with Benoit Bourque and a Brazilian dance workshop with The Aline Morales Band.

Come kick up your heels or glide across the dance floor to the best in music at Summerfolk.

World Music at Summerfolk

The term 'world music' is often used to describe a musical genre presented at folk festivals such as Summerfolk. Exploring the history of tradtional forms of music from different countries can be fascinating.

Fado singer Tony Gouveia was born in Lisbon and came to Canada at the age of 13. His musical career took hold with the formation of the band Tabu. Tony established a reputation in North America’s Portuguese community for his vocal work with this group.

Based in Cambridge, Ontario, Tabu played everything from Latin to Portuguese, Italian to Top 40. Over a 20 year run, beginning in 1986, the band toured extensively. In 2007 they won the prestigious Merit Award for Music presented by the Alliance of Portuguese Clubs & Associations of Ontario.

Tony's wife was the one responsible for his re-connection with traditional Portuguese fado music. She listened to fado at home and loved it. Eventually Gouveia was once again hooked on it too – not only as a listener, but this time as a performer.

He had never forgotten the fados that his father used to sing at family gatherings. By adding elements from his Tabu stage experience with the tradition of fado, his performance style is rivetting. You may not understand the Portuguese lyrics but you will be moved when you hear the songs of Tony Gouveia. The music embodies the essence of the Portuguese soul.

Fado music is arguably the oldest urban folk music in the world. Some say it came as a dance from Africa in the 19th century and was adopted by the poor on the streets of Lisbon. Others think it started at sea as the sad, melodic songs coaxed from the ocean waves by homesick sailors and fishermen.

Whatever its origins, the themes have remained constant: destiny, betrayal in love, death and despair. The essential element of fado music is saudade, a Portuguese word that translates roughly as longing, or nostalgia for unrealized dreams.

By the early twentieth century, fado had become a fixture in the everyday life of Lisbon’s working class. It was played for pleasure but also to relieve the pain of life. Skilled singers known as fadistas performed at the end of the day and long into the night in the Alfama and Mouraria sections of Lisbon.

Like other forms of folk music such as American blues, Argentine tango or Greek rebitika, fado cannot be explained; it must be felt and experienced. One must have the soul to transmit that feeling. A fadista who does not possess saudade is thought of as inauthentic.
Fado can be performed by men or women. A fadista stands in front of the musicians and communicates through gesture and facial expressions. The hands move, the body is stationary. When done correctly, it is a majestic performance.

The towering figure of Portuguese fado was Amalia Rodrigues. From the 1940’s until her death in 1999, she was the diva of fado worshipped at home and celebrated abroad as the most famous representative of Portuguese culture. When she died the country’s prime minister called for three days of national mourning. Such is the hold of fado over the people of Portugal.

Tony Gouveia comes to Summerfolk backed by a trio of fine musicians. This is a unique opportunity to hear traditional Portuguese folk blues performed with intensity and passion.


Ragleela was first founded in India in 1990 by sitar maestro Uwe Neumann. Upon his arrival to Montreal in 2000, he was joined by guitarist Jean-Marc Hébert and tabla player Shankar Das. Ragleela was reborn.

Now a quintet, Ragleela blends the richness of Indian ragas with occidental melodies. The result is a sound very interesting to the western ear. Neumann’s sitar is the centrepiece of their music but it isn’t about revisiting hallowed ragas. Rather, the group revels in the space between jazz, folk and Indian classical music.

In their original compositions, the sitar sets the tune over guitar patterns, violin lines and grooves of both Indian tablas and percussion. Their explorations on melodic hooks are not at all out of place in a western pop context. It is peaceable music with subtle nuances that invigorate the listener.

Ragleela concerts across Canada have left audiences enchanted and inspired by the power of their unique musical fusion.

Uwe Neumann discovered the sitar in a most unusual fashion. He was in Benares, considered to be the holiest of all pilgrimage sites in India. Home to many famous temples, virtually every block in the city features a shrine.

As he walked down a crowded lane, a stranger approached him and offered free lessons in sitar. Neumann, who had played classical guitar in church choirs and was an accomplished folk and jazz guitarist in hometown Nuremberg, followed the man into a shop. He tuned in to the sounds of the sitar and was hooked.

Neumann then studied Indian music for 10 years in the Bengal region. He beame comfortable enough with the lore and theory to shape it in a personal fashion. "We play in a traditional style" says Neumann of their music. "A bit more dynamic maybe, but still traditional ragas."

Improvising is a feature of ragas. "It's always improvisations on a theme," he explains. "To define raga is quite difficult but one has a scale, and each note of that scale has its particular character. The relationship between the notes is defined by how you move from one to the other."

Neumann was also attracted by the unique development of melody in Hindustani classical music. "Most of the popular music we're exposed to has a strong beat and harmonic structure. I realized I needed to work more with melody."

Ragleela's guitarist Jean-Marc Hébert studied classical guitar at the University of Toronto and takes a major role in shaping the arrangements for the band. Tabla player Bertil Schulrabe studied the instrument in India and has appeared on numerous world music CDs.

Violinist Marie-Soleil Bélanger performed for many years with Richard Desjardins and played on a Lhasa CD. Eric Breton plays percussion in many musical styles - those of Africa, Maghreb, Brazil, Haiti and Cuba, and of course, Ragleela's Indian-based music.

There is a stirring beauty and an underlying message of love and happiness to Ragleela's music.

Ragleela and Tony Gouveia, along with Brazil's Aline Morales, Australia's Chloe Hall, the African group Soul Influence and Scotland's Brian McNeill bring a world of music to Summerfolk this August 14, 15 and 16.

The Troubadour Returns - Valdy at Summerfolk

The name Valdy merits mention in the same breath as celebrated Canadian performers Gordon Lightfoot, Buffy St. Marie and Murray McLauchlan.

With some 40 years’ experience as a touring artist, Valdy has sold half a million copies of his 14 albums and has won two Juno Awards. He has been hailed a national treasure and this country's most distinguished troubadour.

His songs have been recorded by Quincy Jones and John Kay of Steppenwolf. But unlike Kay, Valdy was 'born to be mild', writing (as he said himself) songs about freedom and joy.

When he performs, there are plenty of hits to choose from. “People want to hear the older songs.” he says. “When they hear them it makes for a comfort zone where they’re more willing to accept the newer material.”

His concert repertoire usually features some of the best songs other people have written too - like Sonny's Dream by friend Ron Hynes. "They stand the test of time," he said of the covers he performs.

As to his interest for environmental and social causes, he has added a decided political slant with such titles as Living Next to a Candy Store (re the Canada-US Free Trade agreement), Ten Little White Men - The Ballad of Meech Lake and Hey Mr. Michael Wilson (re the Goods and Services Tax).

He has, however, generally been a voice of concern and caution rather than anger. The passion of his message is moderated by his sweet, relaxed tenor voice.

Valdy was born Valdemar Horsdal in Ottawa. Early on he was influenced by the likes of TV's private eye Peter Gunn and the show's accompanying music by Henry Mancini and his Orchestra. "I learned melody from him," Valdy said of Mancini. Later it was Carl Perkins, Elvis Presley and Jerry Lee Lewis. When he took piano lessons, he played a lot of boogie woogie from the 1920s. "The British Invasion had a big musical influence on me too" he said.
Through it all he credits his father, famed portrait photographer Paul Horsdal (mentor to Yosef Karsh) for his encouragement as a youngster. Now Valdy is the one influencing the youngsters.

In 1966 he made his home in British Columbia, where he farmed for several years near Sooke. Adopting a country-folk style, he performed in Victoria coffee houses and in 1972 came to national attention with his hit Rock and Roll Song - the famous song documenting the rejection experienced on stage following a rock act at the Aldergrove Rock Festival circa 1968.

Other popular singles followed: his own songs A Good Song and Simple Life, and David Bradstreet's Renaissance (Let's Dance That Old Dance). Valdy has also recorded several songs by Bob Ruzicka, including Yes I Can.

By 1976 Valdy had recorded five albums and was second to, you know who... Gordon Lightfoot, in record sales for a Canadian folk singer. In August of that year, he represented Canada at the International Song Festival in Sopot, Poland. "That was a highlight of my career up to that point." says Valdy of Sopot. "I was a musical emissary from Canada playing for people behind the Iron Curtain."

Since that time, Valdy has remained a fixture on the Canadian folk circuit. He also performs for children and on occasion, with symphony orchestras, maintaining a yearly schedule of some 200 performance dates.

He was a panelist on CBC-TV's Front Page Challenge and had a lead role on an episode of The Beachcombers. He continues to perform concerts in the US (he is a favourite at the annual Kerrville Folk Festival in Texas), Europe and Australia.

Valdy is famous for jigging and dancing on stage, and establishing rapport with young and adult audiences alike. With a generous spirit and an open heart he is a tireless proponent of folk music. Love songs, protest songs, sad songs, funny songs - any and all ways of touching an audience with music, laughter and positive energy are part of his magic.

His musical talent is augmented by an incredible human spirit. He remembers people. He cares about people. Valdy is a man with a thousand friends, from Newfoundland to Vancouver Island and from Texas to New Zealand.

During his career, Valdy has made many friends in this 'neck of the woods' too, performing in places like Tobermory, Kincardine, Walkerton and of course Summerfolk.

Four Women Featured at Summerfolk

SUSAN WERNER was raised in the farm lands of Iowa. Blessed with a great voice and a command of both guitar and piano, Werner is one of the most innovative songwriters of our time.

Now based in Chicago, Werner has 9 albums to her credit, a busy touring schedule and a string of accolades from the likes of The Washington Post, Village Voice and The New Yorker.

Her songs slide effortlessly between folk, jazz and pop. A clever and versatile performer, Susan's music is sophisticated, witty and engaging.

For her Summerfolk performance, Werner will be accompanied by world-class cellist Julia Biber and harmonica player Trina Hamlin.

PEGGY SEEGER is known for her excellent renditions of traditional folksongs and for activist songwriting. Her best-known pieces are Gonna Be an Engineer and The Ballad of Springhill (about the 1958 Springhill, Nova Scotia mining disaster).

Born into one of North America's foremost musical families, Peggy learned to play piano, guitar, five-string banjo, autoharp, dulcimer and concertina. She cut her first record when she was 18 and in her early twenties became a professional touring musician.

Her travels took her to Europe and in 1959 she settled in London with Ewan MacColl. She is the face of MacColl's song The First Time Ever I Saw Your Face. Performing as a duo, MacColl and Seeger were at the forefront of the British folk scene for three decades.

Peggy is currently teaching at Boston's Northeastern University and tours as a lecturer and performer.

ERICA WHEELER is an award-winning singer/songwriter whose songs and stories evoke a sense of place. She creates an immediacy to her presentation with a keen-edged, conversational singing style.

Based in western Massachusetts, Wheeler combines a lifelong interest in natural and cultural history with her career as a musician.

A troubadour in the classic sense of the word, impressions of people and places eventually work their way into her songs. Human connections to the land and metaphors drawn from nature figure prominently in her songwriting.

With their rural imagery, Erica's songs will resonant with those of us who live in the Grey-Bruce region.

EVALYN PARRY grew up at folk festivals - her father David was a member of the iconic folk ensemble 'The Friends of Fiddlers Green' and her mother Caroline, a children’s music performer, author and folklorist.

“I have a really distinct memory of the 'Friends' singing with Stan Rogers at Summerfolk. I remember being impressed when I learned Stan had written Barrett’s Privateers inspired by one of their concerts.”

Evalyn grew up on a staple diet of sea shanties, ballads and big chorus songs. Although the music she now writes doesn’t come directly from that tradition, “it steals from it and is inspired by it."

Her performances are as thought-provoking as they are hilarious. They are as charming as they are eclectic, as deeply political as they are personal. Evalyn Parry is a singer-songwriter and spoken word artist with a unique perspective on the world.

These four women, Susan, Peggy, Erica and Evalyn, approach their craft differently. Each is incredibly talented and part of the musical mosaic you will find at Summerfolk.

A Summerfolk Moon

Jacob Moon comes by it honestly. His mother is a singer and his father cut his teeth playing 12-string guitar in Kingston Trio-style folk bands.

As for Jacob, he came to music in his teen years. Since then, he has been refining his craft and redefining what it means to be a singer, a songwriter and a guitarist.

I remember seeing Jacob Moon perform at The Festival of Friends in Hamilton and he has been on my short list of performers to consider for Summerfolk ever since I took up the position of artistic director three years ago.

When I visited his website, I was impressed by a video shot on a rooftop in Hamilton. Jacob set up the song with acoustic guitar and part way through switched over to perform a great electric guitar solo overtop of the rhythm part he had played earlier. This was accomplished by his use of a live looping device called JamMan.

"It radically changes how I can add a different complexion to my show. I can communicate everything from percussion to rhythm guitar and lead guitar parts, all in the context of the same song" explains Jacob.

The JamMan device allows musicians to record a musical phrase with the touch of a foot switch. This phrase, again controlled by a foot switch, can be played back as a repeating pattern or loop. Musicians may record additional phrases in time with the first and thus create a sort of virtual band. Once the pattern has been established, the musician is free to improvise over top of the backing tracks.

"Nothing is pre-recorded - it's recorded on the fly so there's an element of danger to it. I use it in about half of my show. I've been working with JamMan for 8 or 9 years now so it's not so scary anymore.".

I have since come to learn that the song Jacob performed on the video was in fact a cover of "Subdivisions", written and performed by Canadian rock band Rush. The band's lead singer Geddy Lee wrote to Jacob to say "The guys have all seen it and think it's terrific."

In conversations with Jacob, I learned more about his musical career. He studied theory and majored in voice at Laurier University. "I put myself through college playing gigs."

After university, he re-located to Hamilton and has been part the music community in that city ever since. "Hamilton is a place artists can afford to live and quite a number a musicians have taken up residence here."

Moon is a terrific vocalist and as such, gets calls for session work on commercials and film soundtracks.

He has recorded six albums and is currently working on number seven. As part of the process for this latest project, he is recording some of the tracks at home. "I'm learning how to record and edit files. The more I know, the more creative control I will have. Down the road I want to be a producer for other artists, so developing a working knowledge of the software that's available will prove invaluable."

Moon has played hundreds of theatres, coffeehouses and churches in his quest to reach new audiences. The popularity of his videos on YouTube, and especially "Subdivisions", has garnered him an international following that is growing rapidly.

He takes a grassroots approach to marketing and promotions and it is starting to pay off. He has developed a reputation as a passionate and expressive musician for church performances.

"A church is great because it's a venue that doesn't have distractions. No matter what persuasion you come from, the church is a place of comfort and it's built for music. Because of my own spiritual journey, I can have a conversation with an audience there. It's been a good angle for me."

I asked about his songwriting. "Sometimes I get impatient. I write a handful of songs every year. I really do believe it's just a matter of pulling them down from the sky. You have to work hard at it but one of my strengths is persistence."

Social justice is also something very close to Jacob's heart. For many years he has been active in raising funds for many worthy organizations including Compassion Canada, the Mennonite Central Committee and Canadian Foodgrains Bank.

He recently performed at The Street Level Conference in Ottawa, an event organized to bring attention to poverty in Canada. In mid-July, he and his wife will depart to El Salvador with a Compassion Canada team. Compassion's mission is to serve the spiritual, economic, social, and physical needs of a children in over 25 developing countries around the world .

Jacob performs Friday night at Summerfolk's Down By the Bay tent and is featured in the 'Summerfolk Sunday Morning' concert.

You can get an preview of Jacob Moon and his music before Summerfolk. On July 4th plays Massie Hall - as in the village of Massie, located southeast of Owen Sound. Concert presenter for this show and long-time music fan Pete Miller has this to say about Jacob:

"Jacob Moon's folk, rock and pop fusion is the most innovative solo work I've heard in eons. Imagine a folk singer, wired to a digital effects loop, with a social conscience to boot."

The Adventure Travels and Music of Ian Tamblyn

Ian Tamblyn began his career in the mid-1960s. He sang pop songs and traditional blues at the Fourth Dimension coffeehouse in his hometown of Fort William - now Thunder Bay.

"It was an international port, an industrial town and as an isolated northern city, there was a sense of drama to it" recalls Ian. "In my younger years, I was a part of the artistic community there."

Then after studying liberal arts at Trent University in Peterborough, he decided to take on a full-time musical career. He moved to Chelsea, Quebec, where he has lived since 1971. "The rent was so affordable. That helped take the financial pressure off and made it possible to commit to being a writer. I always believed you had to do it full-time."

"I love the Gatineau Hills" he says. "In comparison to the extreme places I go to, it's almost like neutral territory for me. It's not a wilderness, and yet, it's outdoors."

His first big 'break' came when Sylvia Tyson performed one of his songs on the popular Canadian television show Ian & Sylvia. That led to the release of his debut self-titled album in 1976, which garnered him a Juno Award.

Since then, he has recorded 29 additional albums and penned some 1,500 songs. He has performed at coffeehouses, concerts and festivals but has also discovered other avenues to make a living as a musician.

Tamblyn has scored several films and produced theatre soundtracks. He has written nine plays, beginning with Dream Children which ran at the National Arts Centre, and several for the Great Canadian Theatre Company. Most notable among these is Legends of the Northern Swamp, which is still touring Quebec.

Being an avid naturalist, Ian started mixing music with his love of nature. His Over My Head CD was recorded in-studio after a successful live concert commissioned by the Canadian Museum of Nature.

Instrumental music was composed around tape-looped field recordings of birds. Ian explained "In the case of Knock on Wood, for example, I composed the piece around the percussive hammering of a Pileated Woodpecker."

That album sold more than 100,000 copies. "Over My Head caught on," recalls Tamblyn, "with everyone from midwives to palliative-care wards. From cradle to grave."

But perhaps his most important development was connecting creative skills with adventure travels to remote places such as the Nahanni River, the north shore of Lake Superior, Greenland, Baffin Island and the Chukchi Sea.

The Nahanni, for example, is situated in the mountains of the Northwest Territories. It flows through deep canyons and geological features so unique that the Nahanni River was declared the first World Heritage Site by the United Nations in 1978. Its' Virginia Falls are nearly twice the height of Niagara.

With Ian's Magnetic North CD, he began to blend instrumental music with environmental sounds, incorporating field recordings from his travels.

"It all started with my fascination of the north shore of Lake Superior in the early seventies. I became interested in exploring the concept of a spiritual north perhaps in a similar vein as Glenn Gould's Idea of North series that he did for the CBC."

In 1984 Ian was invited north as a writer-in-residence on a scientific trip to the Chukchi Sea, north of the Bering Strait. “Science needs you in the Chukchi Sea” was the first line of a letter he received from John Oliver from State University of California.

The letter went on to say John and several of his co-workers had seen Ian perform at a concert in Barclay Sound on Vancouver Island. "We talked about it after and came to the conclusion that you should probably join us for a month this summer on the Research Vessel Alpha Helix. We will be studying the feeding habits of Gray Whales and walrus and so we invite to come along as a writer-in-residence." the letter summarized.

After five expeditions to the north with John Oliver, Ian has also made two trips with the team to explore the under ice worlds of Antarctica. "Mixing artistic and scientific work is given a lot of lip service, but I've never found another person like John - somebody willing to take it on."

"Creativity is seen as not factual and hence doesn't necessarily sit well with scientific types. There is also a hierarchy of positions and the 'artist' is often seen as entertainment - which is a lesser form in the chain. At times it's been an interesting experience, and at times frustrating."

But Tamblyn has created music inspired by these trips. "It's a huge panorama of songwrting being a part of the ocean. What happens to one's psyche when being surrounded by such a massive force. Through the years of being out on the ocean, I have had a number of quiet revelations about why sailors don't come home. It's so big. It takes a part of us."

"Three quarters of the world is ocean. It is fundamental to being on the planet itself."

While he has travelled to exotic locations throughout the world, Tamblyn remains rooted in the Canadian landscape. His music in infused with this country's environment.

He has travelled to the north of Canada many times. Prior to Summerfolk he will be guiding a Students on Ice expedition to the Arctic. Then following the Festival, he will be going through the Northwest Passage from the west and coming down the east coast of Canada. Always with pen in hand, Tamblyn looks for inspiration in places that few people get to see.

He has recently completed 2 discs of a 4 disc set based on Canadian bodies of water. His Spirit and Light CD, released in 2007 is all about the Lake Superior area of Ontario. Raincoast, the second disc, features songs about the west coast of Canada.

His songs reflect the places he has seen and those he has met along the way. "In terms of arriving at a musical description of this country, I've been very active. That's what I do."

Tanglefoot's Farewell Tour Includes Stop at Summerfolk

For more than 25 years, Tanglefoot has been a fixture on the Canadian music scene. But nothing lasts forever and 2009 will be the final year of performances for the band.

It is fitting that this group has included a Summerfolk appearance as a part of their farewell tour. This will be the final opportunity to catch Tanglefoot on Summerfolk's amphitheatre stage at Kelso Beach Park.

The band is made up of five distinctly talented individuals - bass player Al Parrish, violinist Sandra Swannell and Terry Young on mandolin, guitar and banjo. Then there are the two brothers, guitarist Steve Ritchie (who joined Tanglefoot co-founders Joe Grant and Bob Wagar back in 1988) and piano player Rob Ritchie.

I talked to Steve Ritchie about the upcoming appearance at Summerfolk. "We wanted to hit all the places are special to us and of course Summerfolk is one of those places - it's a prestigious festival. The fact that we're based here, with 4 out of 5 of us living in the area, Summerfolk is an event that we have a lot of affection for on a number of levels."

"I was a sound man at Summerfolk back in the early 80's. I remember mixing Stan & Garnet Rogers at a side stage concert and I didn't even know who they were - this was way back. I still remember some of the songs they did."

"Summerfolk was the first place I heard people like Mose Scarlett, Gamble Rogers and Utah Phillips. I was 20 years old at the time and had no inclination I'd end up playing this kind of music....and doing it on a full-time basis for 25 years or so."

Tanglefoot has made headlines throughout the world of folk and acoustic music, attracting a large and enthusiastic audience throughout Canada, the United States and Britain.
Named best vocal group in the 2007 Canadian Folk Music Awards, Tanglefoot delivers their music with intensity. Well-known for their full-throated harmony singing, they are also a band with great instrumental agility. Their music has an unmistakable driving sound.

"When I was young I played drums" says Steve. "I was a 'rocker'. My whole ambition was to be Kim Mitchell's drummer. When I was in high school that's what I wanted to do. Al Parrish was in a Led Zeppelin tribute band and Terry comes from that background too. That's how we play - really slamming, only on acoustic guitars instead of with a stack of Marshall amps."

I then asked him about the way they handle the vocal arrangements for the group. "Our harmony approach with Tanglefoot comes out of a specific tradition. It's an all for one, everybody-in style that comes from shanty, lumber camp, mining, railroad and voyageur worksongs. All those kinds of songs are robust in their vocal delivery."

Tanglefoot certainly knows how to deliver traditional songs with vigour but they also take a similar tact when performing their own compositions. They have the ability to write engaging songs that connect with an audience. They tell human stories of folklore, fake-lore, family history, quirky characters, danger, romance and drama.

One can't help but be moved by their endearing themes and true-to-life stories in songs like "Secord's Warning", "Awkward Donald", "Seven a Side" and "Jack the Green".

Their acapella song “Vimy” led to their taking part in the dedication of the restored memorial at Vimy, France on April 9, 2007 (at the same time, the Canadian Celtic Choir was performing the same song on Capitol Hill in Ottawa).

Tanglefoot enjoys the unusual claim-to-fame of having had one of their CDs fly aboard the space shuttle. "The Music In The Wood" CD accompanied Canadian astronaut Chris Hadfield into orbit aboard the Space Shuttle Endeavor in April of 2001.

Tanglefoot will play an important role in the Stan Rogers tributes that are a Summerfolk feature this year. I asked Steve about the obvious connection between Stan's work and that of Tanglefoot.

"I always found his voice very compelling. He had a voice that grabbed you. Stan also had a tremendous sense of melody and could really tell a good story. His was a benchmark for muscular Canadian songwriting."

"Stan Rogers came to my high school (OSCVI) and this was not the kind of music I was particularly interested in but I remember sitting in the front row with a bunch of my friends and just thinking he had a cool voice and a lot of stage presence. When he sang "Jeannie C", that was really chilling. "Every seam poured water" - what a powerful image that was. It got through to me."

As with many things in life, what goes around, comes around. The influence that Summerfolk has had on the musicians from this area is clearly displayed in Tanglefoot's Steve Ritchie. "By a kind of osmosis, I discovered I had a proclivity for this kind of music - storytelling, acoustic music."

Tanglefoot has seen many changes in personnel over its existence. Steve performed along with Joe Grant and Bob Wagar, the original Tanglefoot band members, at Summerfolk in 1989. That was one of their first folk festival appearances.

Steve notes the current lineup is one of the strongest. "When Al Parrish joined, the sound got bigger and more aggressive. He brought a physical presence and charisma that took the band up a notch. Then Terry Young joined and he's a very energetic player as well. That took us up even more. The addition of Sandra was something new for us and having my brother Rob back is a real treat for me."

Seeing Tanglefoot one last time on the Summerfolk stage will be special. "Everywhere we play now is a farewell somewhere. There are going to be some poignant moments and I can't help but think that will be one of them. It is going to be a big deal for me, and for all of us, to be out on that amphitheatre stage one last time."

Special Features at Summerfolk

Todd Crowley's Musical Petting Zoo

Among the many special features at this year's Summerfolk will be Todd Crowley's Musical Petting Zoo.

Ever play a balalaika or balafon? Have you ever blown into a didgeridoo or shofar? Ever strummed an autoharp or plucked a psaltery? All of these traditional folk instruments and about 100 more, covering the musical alphabet from accordion to zampoya, are part of Todd's Musical Petting Zoo.

This fully interactive and hands-on exhibit is a unique opportunity to explore the workings of the instruments and to actually play them.

Todd Crowley is a recently retired high school English teacher from Virginia. His musical instrument of choice - the autoharp. "I have found the diatonic autoharp to be the perfect accompanying instrument for the songs I sing".

"The autoharp lets me keep the instrumental part of the song simple, so the words in story and poetry can take center stage". Todd's M.A. studies at university included research into the life and songwriting of Woody Guthrie. "As a folk singer I want to be part of the oral tradition that gives voice to promoting peace and justice".

Along with the Musical Petting Zoo, Todd is also providing an instrument play station for the Children's Village. Young and old will have a chance to explore the new musical sounds at Summerfolk.


Painting Summerfolk

Artist Peter Beckett will be painting at the Festival using music as inspiration. One day he will work alongside jazz sax player Kenny Baldwin, the next, he will set up near the Gazebo stage.

Beckett and Baldwin are both familiar with improvisation. Their free-jazz, abstract painting collaborations become conversations between two completely different forms of expression.

Kenny Baldwin played music with Graham Caughtry, one of Beckett's favourite Canadian abstract painters from the 60s. Baldwin was part of the Canadian "avant garde" before anyone noticed. At 79 he remains fearless, "Yea tho I walk through the valley of banjos I will fear no evil for I have my alto and tenor to comfort me," he says with a smile.

Peter Beckett is well known for creating large canvases full of colour and movement. "While I was painting outside, the idea of 'painting for landscape' came to mind. If a painter acted as a conduit, taking on the voice of the environment while painting out doors, what would the painting reveal?""It is considered that the studies of Tom Thomson, for example, contain so much more of the experience of spending a day on a northern shoreline than simply, an image. Through all the senses, the inexplicable inclusion of such things as the smell of the woods or the sound of waves meeting the rocky shore are evident".

There will be more on the painting theme at Summerfolk. Dorothy McDonall, one of the 'ChoirGirlz' trio, will be working on a 'Veil Painting'. The technique consists of overlapping transparent veils of watercolors on dry paper. Responding to the atmosphere at Summerfolk she will be layering colours inspired by the ever-changing environment.

"I just never know what will appear, but that's the fun part of the process. It is important to understand that the image is not pre-conceived. It is simply an exercise about being in the moment. And what a fabulous moment a festival is!"

I will be interested to view the works-in-progress of both these artists over the weekend, as I'm sure you will be too, and intrigued to see what the results will be.


David Woodhead's Confabulation

David Woodhead has been a fixture in the Canadian folk music scene for as long as I can remember. His incredible talents on bass guitar have enhanced the performances of many well known musicians on festival stages across the country.

David is bringing his latest project, David Woodhead's Confabulation, to Summerfolk. "It's all about interplay - musical conversations and fabrications from the outer boundaries when folk, poetry and jazz met in an imaginary coffeehouse late one night in a distant past, or an imminent future...".

Joining him will be Cedric Smith, Joran Freeman-Fox, Emilyn Stam & Rich Greenspoon.


Performance Poetry

Lead by Owen Sound's newly appointed poet laureate Kristan Anderson, a team of creative wordsmiths will be exploring the art of spoken word at this year's Festival.

Performance poetry features a broad range of styles, cultural traditions and approaches. Some poets are closely associated with the vocal delivery style found in hip-hop music and draw heavily on the tradition of rhythmic dub poetry. Others employ an unrhyming narrative formula.

Some use traditional theatric devices including shifting voices and tones, while others may recite an entire poem in ironic monotone. Some poets use nothing but their words to deliver a poem, while others stretch the boundaries of the format, tap-dancing or beatboxing or using highly-choreographed movements.

As both a teacher and youth worker, Kristan has a natural passion for helping develop the potential of young people. His goal is to see a spoken word and 'slam scene' develop in the Grey-Bruce region as a creative outlet for youth to develop both confidence and self-esteem.


JumbleJam

JumbleJam workshops are about creating songs through a unique songbuilding process. An innovative approach makes it possible for anyone to participate in the creation of a song, regardless of musical background. Response to last year's inaugural JumbleJam was so positive, we just had to do it again.

Facilitators Ken Dow and Martin Cooper 'curate' 15 volunteer players into 3 bands, each anchored by a Summerfolk performer. The bands create an original song and perform it on the Down by the Bay stage Saturday evening. Within 8 hours, three songs are written and performed - the energy and excitement of the process is contagious.


Plus...

The Sharing Circle is a place where everyone is invited to bring musical instruments, songs and stories to actively join in the sessions. You can witness the wonders of Fire Poi with Vita Twirlin' Diva and friends at the Summerfolk Circle on Saturday night. Visit the teepee and learn more about First Nations cultural traditions from hosts John Somosi and Kathryn Edgecombe. And last but not least, you can play your music on the Open Stage.

Summerfolk is known for great music, beautiful craft art and delicious food but adding features like these to the mix makes it extra special.

Honouring Stan Rogers a Summerfolk Feature

Summerfolk has always been more than a series of concerts. The most memorable moments often occur at the workshop sessions and special performances that happen within the Festival.

One of the highlights this year will be two tributes dedicated to Canadian folk legend Stan Rogers. Summerfolk and Stan shared a mutual admiration. The amphitheatre stage at Kelso Beach Park is named in his honour. Each year we close the Festival with his song "The Mary Ellen Carter" and its joyous refrain of "Rise Again".

Part I of the Tribute, hosted and coordinated by Paul Mills, will be held Saturday afternoon in the Down By the Bay tent. "Stories and Songs of Stan Rogers" will feature Ariel Rogers, Tim Harrison, Dan McKinnon, Bill Bourne and the group Poor Angus.

Paul Mills was well acquainted with Stan; he performed alongside him at concerts throughout Canada and the States. Paul was also the producer for several of Stan's recordings.

Part II will be held at the amphitheatre stage on Sunday night. As a lead up to the Finale, some of Stan's most popular songs will be performed by artists who were strongly influenced by his music. For fans of Stan Rogers, this year's Summerfolk will be a special event.

Who was this Stan Rogers fellow and what makes him so celebrated?

Stanley Allison "Stan" Rogers was noted for his rich, baritone voice and his finely-crafted, traditional-sounding songs. His material was often inspired by Canadian history and the daily lives of working people, especially those from the fishing villages of the Maritime provinces and, later, the farms of the prairies and those who toiled on the Great Lakes..

His songs often had a Celtic feel which was due, in part, to his use of DADGAD guitar tuning. Some were in the style of sea shanties, though his brother Garnet once remarked that he would "get seasick crossing a wet lawn". Rogers' legacy includes his recordings, songbook and plays for which he was commissioned to write music.

Stan's songs are often performed by other musicians and are perennial favourites at campfires and song circles. His best known pieces include "Barrett's Privateers", "Northwest Passage", "Make and Break Harbour", "The Field Behind the Plow", "Fogarty's Cove", "White Squall" and "Forty-Five Years".

Stan Rogers died June 2, 1983 at the age of 33 in a fire aboard Air Canada Flight 797 forced to land at the Cincinnati Airport. He was returning from a performance at the Kerrvillle Folk Festival in Texas.

Rogers was born November 29, 1949 in Hamilton, Ontario. He was the eldest son of Nathan Allison "Al" Rogers and Valerie Rogers (née Bushell), two Maritimers who had relocated to Ontario in search of work shortly after their marriage in July 1948. Although Rogers was raised in Dundas (a community in the westernmost part of Hamilton), he often spent summers visiting family in Guysborough County, Nova Scotia.

It was there that he became familiar with the way of life in the Maritimes, an influence which was to have a profound impact on his subsequent musical development. He was interested in music from an early age, reportedly beginning to sing shortly after learning to speak. He received his first guitar, hand-built by his uncle Lee Bushell, when he was only five years of age.

He was exposed to a variety of music influences, but among the most lasting were the country and western tunes his uncles would sing during family get-togethers. Throughout his childhood, he would practice his singing and playing along with his younger brother Garnet Rogers, six years his junior.

By the time Rogers was attending high school in Stoney Creek, he had met other young people interested in folk music. He was also dabbling in rock and roll, singing and playing bass guitar in garage bands such as "Stanley and the Living Stones" and "The Hobbits".

Rogers briefly attended both McMaster and Trent Universities but a full-time career in music was calling. He hit the road pursuing his dream of establishing a national identity for Canadian songwriting. It was a dream fulfilled; through his dynamic performances and brilliant songs, he became known throughout most of the English-speaking folk music world.

He was a big man - six feet four and 'built like a fire truck'; with a voice that rumbled from his toes. He could bluff and bellow yet was at heart, a poet and intellect. Often as not, he would sneak away from a gathering to curl up with a book. He made friends and enemies easily, gaining the former for life and often, in time, converting the latter.

Stan appeared at Summerfolk in 1977, 78, 80 and 81. I remember watching the steam rising from his bald head on a cool August night as he worked his magic on us. Once he took the stage, he commanded it with a presence seldom seen since.

When CBC's Peter Gzowski asked Canadians to pick an alternate national anthem, Stan's song "Northwest Passage" was the overwhelming choice. His influence on Canadian folk music is deep and lasting.

The Summerfolk Lineup

Our theme for 2009 is "The Beat Goes On". For the past 33 years, Kelso Beach Park in Owen Sound has been home to one of the most beloved events in folk music. The Festival in August promises to maintain that tradition.

Summerfolk performers are chosen to represent a wide spectrum of musical tastes. You may not recognize all of the names in the lineup but in this and future articles, I hope to give you a sense of what each of them do. When you come to the Festival, I guarantee that by the end of the weekend, you will have discovered a new act or two that will really impress you. That is part of the magic to discover at Summerfolk.

This year's Festival features first-class Canadian songwriters. Valdy, one of Canada's most successful folk musicians; James Keelaghan who possesses one of the most distinctive voices in folk and musician/adventurer Ian Tamblyn.

Four-time Grammy nominees and Summerfolk favourites, 'Trout Fishing in America' bring their lovable sound back to Kelso Beach Park. This delightful duo of Keith Grimwood and Izra Idlet have carved out an amazing musical career in nearly three decades of writing, recording and performing together. Their pals from Texas, 'The Austin Lounge Lizards' may just steal the show at the Festival with their inventive style of satirical folk, country and bluegrass. This entertaining 5-piece band pokes fun at politics, love and culture in general. Not to be missed!

Alberta-based Bill Bourne will perform with his new trio the 'BOP Ensemble', highlighting the songwriting talents of a hidden gem, Wyckham Porteous and the exuberant, youthful Jasmine “Jas” Ohlhauser.

Summerfolk co-founder Tim Harrison returns to Owen Sound from his new home base in the Gulf Islands. It will be great to have Tim back at the Festival and hear his latest collection of songs. Then there is Evalyn Parry who grew up around folk music and performs a unique blend of music, storytelling and spoken word. From Halifax, Dan McKinnon is an engaging and genuine performer with a warm baritone voice.

A veteran of the folk circuit, Susan Werner has graced the stages of Summerfolk before. Over the course of her career, she has cultivated a reputation as a daring and innovative songwriter with an excellent live show. She composes skillful songs that effortlessly slide between folk, jazz, and pop, all delivered with a sassy wit and Midwestern charm.

Fellow American Vance Gilbert also returns. Vance is another artist who really shines on stage. Or off it as the case may be. During his last visit to Summerfolk, Vance stepped off the stage, away from the microphones. No one in the Amphitheatre had any difficulty hearing him. All were spell-bound by his electrifying presence.

Philadelphia's 'Hoots & Hellmouth' deliver an energetic, revival-like live show blending soul, folk, country, gospel and rock. Originally formed around the acoustic guitars of Sean Hoots and Andrew "Hellmouth" Gray, this quartet embodies a feisty, independent spirit. This is a band that has energy to burn.

Speaking of bands with energy, 'Tanglefoot' will be making their finale appearance on Summerfolk's Amphitheatre stage. For everything there is a season, and 2009 will be the last for this iconic Canadian folk/roots band. With a huge sound and stunning harmonies, Tanglefoot has become an institution over their two-plus decades. Their infectious music, inspired by the mythology, folklore and history of early Canada, has earned them an international reputation.

And... it doesn't stop there. 'The Aline Morales Band' is a Brazilian percussion troupe. They feature traditional folk styles (forro, coco, afoxe) with tastes of samba, reggae and soul. If some part of your body isn't moving when you hear this group; then there's a serious problem. Lively and youthful, the 'Aline Morales Band' embraces rhythm.

Fans of the "blues" - you'll want to see and hear 'Daddy Long Legs', winners of the 2009 Maple Blues Award for Best New Artist. Then for something completely different, 'The McFlies' travel through time to 'un-cover' the 1980s. Yes that's right - fiddle, accordion, ukulele, harmonica, mandolin, banjo, bongos and congas replace synthesizers and drum machines. 'The McFlies' deliver acoustic versions of the 80's decade in a way that you've never heard before (picture Culture Club's "Karma Chameleon" with fiddle and accordion!).

Harmonica virtuoso, Mike Stevens has released a series of acclaimed albums and written several harmonica instruction booklets. He is one of the few players who can play every note of the scale on one harmonica - for anyone who's tried, this is an amazing feat. Mike is credited with pioneering the use of the instrument in bluegrass music and he’s backed the likes of the legendary Bill Monroe, Jim and Jesse and The Carter Family.

Peggy Seeger is the quintessential hip grandmother. A member of the "First Family" of American folk music, Peggy has performed for more than 50 years, produced 20 solo albums and 200 original songs including the classics "Ballad of Springhill" and "Gonna Be an Engineer".

Sounds great so far doesn't it? But that's just the start.

More on the Summerfolk Lineup

Let's start off with a look at Summerfolk's dance stage.

The first bit of exciting news, The Lighthouse Swing Band will provide dance music on Sunday afternoon at the Festival. This will be a unique opportunity to dance under the Summerfolk tent to the swing era sounds of a big band.

For those who love to contra dance, and there will be many opportunities to do so, the music of Scatter the Cats will be the perfect fit. Dance caller Bill Russell will be on hand for the weekend along with fiddler Anne Lederman and the enthusiastic Tom Leighton, director of The Summerfolk Choir. Champion fiddler Shane Cook, accompanied by Brian Pickell and Jake Charron, will also keep the contra lines moving.

Quebecois music and dance is a specialty of Benoit Bourque who recently joined the celebrated La Bottine Souriante. His energetic expertise will be welcomed back at Summerfolk.

With cajun twin fiddling, accordion tunes and washboard zydeco, Swamperella is a band that plays infectious music. You won’t be standing still for long - their sound won’t let you!

The 2009 Summerfolk Music & Crafts Festival will also highlight music from many other cultures.

Ragleela performs East Indian Music based on traditional form with melodies that take on a familiar and engaging sound. Featuring Uwe Newmann on sitar along with guitar, violin and both Indian tablas and world percussion, this is mesmerizing music.

The acapella group Soul Influence present layered harmonies over the intricate rhythms of Africa. The group is comprised of young people from Zimbabwe, Kenya, Zambia and The Democratic Republic of Congo. They deliver a spiritual message - pleasing to the ear and inspiring.

Portuguese Fado music is usually sung by women but you'll be amazed when you hear Tony Gouveia at Summerfolk. Gouveia has emerged as an impressive voice of a new generation of fadistas in North America. He sings this traditional Portuguese folk blues with intensity and passion.

From her early days as a teenage-troubadour on Australia’s folk-circuit, Chloe Hall has blossomed into an engaging and charismatic performer. Chloe is coming with her new trio to give us some music from down-under.

Moving elsewhere around the globe, Scotland's Brian McNeill (of Battlefield Band fame) is one of that country's best traditional players. Head of Scottish Music at the Royal Scottish Academy of Music and Dance in Glasgow, he is an exceptional performer who commands the stage.

Then there are several additional bands to tell you about.

The full-throttle group Poor Angus will be on hand with highland pipes and Irish whistles accompanied by fiddle, guitar, mandolin, bodhran and bass guitar. The driving bluegrass band Hard Ryde includes some of the hottest pickers in Canada. They were winners at the Last Chance Saloon and as such will perform on the amphitheatre stage at Summerfolk.

Betty and the Bobs are coming. Who's Betty? Who exactly are the Bobs? Well...I'm not sure but I do know Betty and the Bobs are an all-star Canadian 7 piece band that includes the talented and hilarious Wendell Ferguson, folk artist Katherine Wheatley and ex-Moxy Fruvous member Dave Matheson. Rich Greenspoon is on percussion, Soozie Schlanger on fiddle and then there's the fantastic Suzie Vinnick and bassist extraordinaire Dave Woodhead.

Other performers of note include David Celia, Hamilton's Jacob Moon, vocal trio The ChoirGirlz and from Western Massachusetts, Erica Wheeler.

The Festival also highlights the talents of local performers and rightly so. Owen Sound produces some of the best musicians anywhere. The latest songs by Al Walker are featured in his band Suitcase Walker. This band format is an excellent vehicle for his catchy melodies and fine guitar licks. I am also very pleased that Tara & Trevor MacKenzie will be joining us. Both are well-known figures in Owen Sound's music scene.

Dave Carr will be celebrating his 25th year as a Summerfolk MC and the bagpipes of Bob Dixon will continue to be a Summerfolk tradition.

Youth performers abound at Summerfolk. Jon Farmer, Sarah Hillis, Claire McLeish and Liam Sanagan all made their way to Summerfolk via the Discoveries Showcase and Knox Acoustic Cafe. From last year's Open Stage comes Jonathan Jerome.

Ben Whiteley and Suzy Wilde team up in Flashlight Radio. Both come from musical families. Coco Love Alcorn also has a creative family background and with her playful character Ms. Alcorn fearlessly engages audiences in a very unique way.

So these are the performers you can see and hear at Summerfolk 2009. Each have their our sound but when given the opportunity to interact at the Festival, exciting things can happen!

Summerfolk TuneUp

There was a cool wind but the sun was shining for our first ever Summerfolk TuneUp.
Thanks to Don Miller, we have a nice collection of photos from Sunday, May 31st at Kelso Beach Park.
The concert featured young performers who came through the Georgian Bay Folk Society's 'Discoveries Showcase' and Knox Acoustic Cafe's 'Youth Showcase'.


Left, Sarah Hillis




Tyler Firestone

Below, 2 of Erica Knight

First Rate People:

Claire McLeish, Liam Sanagan &

Lindsay Beckett (missing from

photo the sparkplug Jon Lawless)

Kate Dickinson

Upcoming Concerts - April/May

Treasa Levasseur - Saturday, April 25
Knox Acoustic Café www.knoxacousticcafe.ca

Layah Jane - Saturday, April 25
Back Eddie's - Paisley Town Hall Theatre www.layahjane.com

Sheesham & Lotus - Thursday, April 30
Mudtown, Owen Sound www.fiddlefern.net

Spring Fling Dance Weekend - May 1 & 2
featuring.....Nils Fredland, Sheesham, Lotus & Tea Time Taylor, Kate McLaren & Scatter the Cats
St. George’s Church Hall, 1049 Fourth Ave. East, Owen Sound www.fiddlefern.net

Ken Hamm - Sunday, May 10
Irish Mountain www.irishmountainmusic.com

Saugeen Songwriter's Circle - Friday, May 29
featuring...Dean Mctaggart, Natalia Zukerman & Danny Brooks
Victoria Jubilee Hall, Walkerton www.deanmctaggart.com

Anne Lindsay & Jason Fowler - Saturday, May 30
Knox Acoustic Café www.knoxacousticcafe.ca

The Arrogant Worms - Saturday, May 30
Victoria Jubilee Hall, Walkerton www.vjhall.on.ca

Discoveries, Last Chance & the 2009 Summerfolk Line-up

Saturday was a busy and exciting day at the Bayshore Community Centre in Owen Sound!
Three young performers were selected from the afternoon's 'Discoveries Showcase' to play the 'Young & Hungry' concert, Friday night of Summerfolk - Liam Sanagan, Sarah Hillis and Jon Farmer. (They will join Claire McLeish who was previously selected at the 'Knox Acoustic Cafe Youth Showcase').
Then the 'Hard Ryde Bluegrass Band' was picked for a Summerfolk appearance at the evening's 'Last Chance Saloon'. The judges' decision was not an easy one as all 11 acts that performed were excellent!
I also had the pleasure of announcing the Summerfolk 2009 line-up on Saturday. There will be some amazing performers at this year's Festival:

Coco Love Alcorn
Kristan Anderson
Austin Lounge Lizards
Peter Beckett
Betty & the Bobs
Benoit Bourque
Bop Ensemble featuring Bill Bourne & Wyckham Porteous
Dave Carr
David Celia
The ChoirGirlz
Shane Cook with Brian Pickell & Jake Charron
Todd Crowley's Musical Petting Zoo
Daddy Long Legs
Bob Dixon
Flashlight Radio - Suzy Wilde & Ben Whiteley
Vance Gilbert
Tony Gouveia
Chloe Hall
Hard Ryde Bluegrass Band
Tim Harrison
Hoots & Hellmouth
Jonathan Jerome
James Keelaghan
JumbleJam
Tom Leighton with Anne Lederman
Lighthouse Swing Band
Tara & Trevor MacKenzie
The McFlies
Dan McKinnon
Brian McNeill
Paul Mills
Jacob Moon
Aline Morales Band
Evalyn Parry
Poor Angus
Ragleela
Ariel Rogers
Bill Russell
Scatter the Cats
Peggy Seeger
John Somosi
Soul Influence
Mike Stevens
Suitcase Walker
Swamperella
Ian Tamblyn
Tanglefoot
Trout Fishing in America
David Woodhead's Confabulation with Cedric Smith, Joran Freeman-Fox & Emilyn Stam
Valdy
Vita Twirlin' Diva
Susan Werner
Erica Wheeler

Summerfolk Fans Get Ready

This Saturday is the Last Chance Saloon in Owen Sound. Hope you can make it and cheer on the performers. One of the 11 acts performing at Last Chance will be selected for inclusion in the Festival programming, joining the 52 already booked. I will be announcing the performer line-up for Summerfolk 2009 at this event.
I also look forward to the Young & Hungry Discoveries Showcase in the afternoon on Saturday. Over the last couple years, I've had the opportunity to book and work with some wonderful young performers who came into the scene through this event as well as through the Knox Acoustic Cafe Youth Showcase.
Come out Saturday if you can and join us for our Spring get-together.
Be sure to check back here at the Summerfolk website - we'll be posting the line-up shortly.
Summerfolk 2009 "The Beat Goes On" - you've gotta be a part of it!

September/October Coming Events

Owen Sound Celtic Festival - Saturday, September 13
Grey Roots Museum & Archives
www.oscelticfestival.com

Sultans of String - Friday, September 19
Old Courthouse, Owen Sound
Ph: 519-371-2995 gbfs@bmts.com

Volunteer Party - Georgian Bay Folk Society - Saturday, September 20
Shallow Lake Community Centre
Baseball game 3:30 - 5:00, Dinner 5:30 - 7:00, Music Jam 7:00 - 12:00
Ph: 519-371-2995 gbfs@bmts.com

Mark Haines and Tom Leighton - Saturday, September 20
http://www.knoxacousticcafe.ca/

Dean McTaggart, Chris Whitley & Michael Johnston - Saturday, September 20
Above Stedman's, Durham - 8:00 pm
www.deanmctaggart.com

Tony Bird - Friday, September 26
Back Eddie's, Paisley
Ph: 519-353-4787 backeddies@bmts.com

Arlo Guthrie - Tuesday, October 28
http://www.collingwoodmusicfestival.com/

Summerfolk 2008

Wow!!!
Hope you all enjoyed the 2008 Summerfolk Music & Crafts Festival. Send your photos and comments summerfolkad@brucetelecom.com

Thanks to Jody Iverson for this photo

Audience Sport for the Summerfolk Quiz ..."Coxless Pairs"

This year's Summerfolk Quiz will have a "Summerfolk Olympics" theme. You can be part of the audience team - "Team World".

In addition to fun with trivia and musical games we are asking you to compose a song/ditty/verse you can perform at the 'Quiz'.

The Summerfolk Quiz takes place at 3:30 on Saturday at the Down By the Bay Stage.

As you know (and if you don't), The Marathon is the final event of the Olympic Games. And so we come to The Marathon or simply the final event in our Olympic-tinged quiz. In our version, we are asking members of each team to perform a song/ditty/verse... whatever....that incorporates a specific word or phrase about a sport - there will be 9 in all, one for each of 8 Summerfolk performers plus one for the audience.

In the past, they have included items related to Summerfolk, and items that could be seen from the Summerfolk site. Last year, they were quintessentially Canadian!

Now, with the Olympics currently on in Beijing, and the next winter games slated for Canada, we have chosen what we believe are important Olympic competitions.

Your competitive sport (selected in an impartial, random draw) to write about:

Coxless Pairs (rowing)

We wish you good writing. It's good fun!! We look forward to hearing your song at the Summerfolk Quiz.

Your hosts, Richard Knechtel and Dave Carr

Sunday at Summerfolk

Sunday at Summerfolk begins with a special concert in the Amphitheatre. 'Oh What Joy!' celebrates the day with songs of thanks. Hosted by Connie Kaldor, the 10:30 am show features the uplifting talents of David Roth, the four part gospel harmonies of 'House of Doc' and inspirational messages in song from Kim & Reggie Harris. Being a part of this concert will be the perfect way to start your Sunday at Summerfolk.

At noon the musical action swings over to the workshop stages.

The GAZEBO STAGE hosts 5 workshops on Sunday. 'French Fireworks' will be an explosive display of musical talent with 'The McDades' and 'Le Vent du Nord'. 'Music of the East' has Harry Manx matched up with the Chinese music group 'Red Chamber' and East Indian tabla player Rakesh Tewari from 'DiggingRoots'.

The HOMEMADE JAM schedule starts with 'The Young Writers' workshop followed by Open Stage slots. At 2:00 pm catch Toby Walker, David Amram and Tim Ronan in a workshop exploring 'Blues Music' from 1900 to the present. With more Open Stage slots after that, there is ample opportunity for anyone to play their music at Summerfolk.

At the DOWN BY THE BAY tent you can join in the fun at the 'Canadian Highway' workshop. With 'The Cottars', Stephen Fearing, Mike Ford and 'The Arrogant Worms', there will be lots of laughs, tunes and songs with a Canadian theme. The 'Mixed-Up Bands' session which closes the afternoon is a sight to behold. Performer names are drawn at random and five piece bands are assembled for one-time only performances at Summerfolk!

On Sunday afternoon, two contra dances are planned for OVER THE HILL. 'One O'Clock Stomp' features the music of 'Crowfoot' with dance callers Myra Hirschberg and Tom Calwell. For the second contra dance, 'Hands Four - More Contra', Becky Hill will be the caller with 'Scatter the Cats' providing the music.

'Drum Stories' with Adwoa & Fule Badoe will start off the performances at THE CHILDREN'S VILLAGE. Kids will love hearing Sara Hickman, seeing the magic of Marc Trudel and joining in the action with 'Sheesham & Lotus'. More smiles await with shows from James Gordon, Michael Johnston and Mike Ford to complete the fun-filled music schedule at The Children's Village. In addition to the music, the hands-on craft activities will ensure children have lots to do at Summerfolk.

Summerfolk Choir members return to UNDER THE WILLOWS to prepare for their evening amphitheatre concert. This location is also the home for two workshops on Sunday afternoon - 'The Folk Game' and 'The Heart of the Matter'.

Leslie and Paul Conway of Voyageur Storytelling bring their talents to THE SHARING CIRCLE on Sunday. There will also be a 'Tune Players Circle', Summerfolk's annual 'Drum Circle' and a 'Song Circle'. All are invited to actively participate in these sessions.

At the CRAFTS DEMONSTRATION tent you can view the art of wood marquetry presented by Diane Edwards. Wood marquetry involves gluing carefully cut pieces of veneer onto a rigid base. Various species of wood gives the craftsperson a diverse palette of colours from which to choose.

The CAFE CONCERT at 5:00 pm features the music of 'The Cottars'. Their trademark - Celtic-infused singing, playing and joyous step-dancing in the spirited musical tradition of Cape Breton .

The final 6:30 set at DOWN BY THE BAY is a comedy showdown. 'The Last Laugh' will showcase the wit of 'The Arrogant Worms' up against another hilarious comedy trio, 'Modern Man'. This is bound to be side-splitting fun!

The AMPHITHEATRE CONCERTS for Sunday night begin at 6:00 with a performance by The Summerfolk Choir. After their weekend rehearsals, the Choir will be ready to take to the amphitheatre stage at Summerfolk. Joined by guest performers, the Choir concert at Summerfolk is always a heart-warming moment.

Next up is Last Chance Saloon winner David Gillis who hails from Vineland in the Niagara region. David is a well-rounded artist of the highest standard. He will be accompanied by his daughter Ariana who is an up-and-coming performer in her own right.

'Crowfoot' not only play wonderful music for contra dances, but they are a fine Celtic trio in concert. Following them is Summerfolk favourite Jory Nash, then the 'pocket-sized powerhouse' Little Miss Higgins. The songs of 'Little Miss' reverberate with the twang of pre-rock blues and post-Carter Family country music delivered in her signature 'kick up your heels' style.

We are in for a treat as David Roth is up next. His "heavy-mental-easy-listening-protest music" covers a wide variety of subjects, poignant to political, holistic to hilarious. Seeing David in concert is an enriching experience.

A display of high energy Celtic jazz by 'The McDades' is next. The sound of this adventuresome quintet is immersed in the spirit of improvisation. Their arrangements are characterized by the band's virtuosity and interaction on stage.

To close the set of evening concerts, Summerfolk welcomes the return of Connie Kaldor to the amphitheatre stage. Connie is one of Canada’s most significant contemporary folk musicians whose performances are legendary.

The 'Amphitheatre Finale' at Summerfolk touches all present. The singing of 'Irene Goodnight' and 'The Mary Ellen Carter' means Summerfolk is over for another year. We follow the sound of Bob Dixon's bagpipes out of the amphitheatre knowing that the songs, the stories and the spirit of Summerfolk will stay with us.

It has been my pleasure to write these weekly columns on behalf of the Georgian Bay Folk Society. Thank you for reading them and your welcomed responses. Summerfolk weekend is here! I hope you will join family and friends for the 33rd annual Summerfolk Music & Crafts Festival.

Saturday at Summerfolk

The Summerfolk gates open at 10:30 on Saturday morning. The musical adventures begin with the workshops at 11:00.

Each workshop has a theme to guide the performers. The musicians, selected for their ability to relate to the theme, take turns performing. Others on stage may join in - it's loose, informal and often revealing. Workshops offer unique insights into the interaction and collective knowledge of the participants.

Here are some of the highlights for each of the workshop stages at Summerfolk on Saturday.

The GAZEBO STAGE has 6 one hour workshops on Saturday. 'History Class' includes Kim & Reggie Harris, Mike Ford and Shoshona Kish & Raven Kanatakta from DiggingRoots. 'World Class' features the music of David Amram and Red Chamber.

HOMEMADE JAM has 2 'how-to' workshops to kick things off. 'Songsmithing' will explore songwriting techniques while 'Fingerwork' will highlight the guitar styles of Toby Walker, Stephen Fearing and David Gillis. HOMEMADE JAM is home to the Open Stage where Summerfolk patrons are encouraged to sign up for a chance to play their music at Summerfolk.

'The Summerfolk R & B Revue' and 'Blues Ain't Feelin' Bad' are two of the exciting workshops scheduled for DOWN BY THE BAY. The afternoon sessions conclude with the 'Summerfolk Quiz'. Hosted by Dave Carr and yours truly, two teams of musicians are pitted against the audience in games of musical knowledge and fun.

The join-in dance sessions are back in a big way at Summerfolk! At OVER THE HILL..., you can participate in contra dancing, enjoy African drum and dance, learn to clog or swing your partner in the 'Country Round-up Swing Dance'.

The shows in THE CHILDREN'S VILLAGE will be spectacular this year. Where else could children see performances by Connie Kaldor, David Roth, Adwoa & Fule Badoe and the magic of Marc Trudel; all in one place!

UNDER THE WILLOWS is the rehearsal area for The Summerfolk Choir. Under the direction of Tom Leighton, audience members can share their joy of singing together. Under the Willows also has 3 workshop sessions between choir practices. 'Lessons in Love' should be an interesting and often visited song topic to investigate.

THE SHARING CIRCLE is a new addition to Summerfolk this year. It is my hope that Summerfolk fans will have an opportunity to bring their instruments, stories and songs... and join-in the circle sessions!

Each of the circles will be hosted by performers from the Summerfolk line-up. Some of the Saturday sessions include 'Spirit Drums', a 'Song Circle', 'Playing with Words' poetry and 'Fiddles & Flutes'. In conjunction with the Sharing Circle we are bringing back STASH YER STUFF - a secure place to store musical instruments on site.
Audience members can also participate in JUMBLEJAM. This is a chance to jam with the pros, create an original piece of music and perform it on stage at Summerfolk. If you sing or play an instrument and can spare a few hours on Saturday, apply for the JumbleJam workshop - you might just end up in a band with Michael Johnston, James Gordon or Mike Ford.

JumbleJam workshops are about creating songs through a unique songbuilding process. An innovative, guided approach makes it possible for anyone to participate in the creation of a song, regardless of musical background. Facilitators Ken Dow and Martin Cooper will 'curate' 15 volunteer players into 3 bands, each anchored by a Summerfolk performer.

Applications will be available at the Information Booth inside Main Gate. Space is limited and participants will be selected purely for the way they fit the mix. The 2 hour song-building sessions will run at noon, 2 pm and 4 pm. JumbleJam bands take the stage at 7:00 pm Saturday in the Down By the Bay tent.

Another interesting 'how-to' workshop will be one on FIRE POI in the Summerfolk Circle at 5:00 pm. At 11:00 on Saturday you can see 'Fire Poi' at night - a unique experience, only at Summerfolk!

Make sure to drop by the CRAFTS DEMONSTRATION tent on Saturday afternoon to view the best work of the 44 exhibitors from The Artisan Village. These artists are invited to submit two of their finest pieces to be included in the Exhibition. Cast your vote for the People's Choice Award.

The CAFE CONCERT at 5:00 pm has the acoustic quartet 'House of Doc' performing their mix of gospel, bluegrass and pop music.

So that's an overview of Saturday's daytime activities... now on to the AMPHITHEATRE CONCERTS for the evening.

Red Chamber - featuring the unique sounds of China
The Bebop Cowboys - jazzed-up western swing music at its best
David Amram - a magnetic presence armed with charm and incomparable talent
Sara Hickman - playful music from this Austin, Texas performer
Marc Trudel - a performance of this magician's 'Card Solo' routine
Modern Man - with songs that are intelligent, lively and hysterically funny!
Harry Manx - a hypnotic show blending Indian music and the blues
Le Vent du Nord - showcasing the vitality and joy of Quebecois music

Summerfolk's highlight 'CONTRA DANCE NIGHT' also takes place Saturday evening at 7:30. It features the music of 'Crowfoot', one of the hottest bands on the contra band circuit, and the renowned Becky Hill as caller for the dances.

If you head on over to the DOWN BY THE BAY tent, here is what you'll see there on Saturday night.

Things start off with the aforementioned 'JumbleJam' bands at 7:00 followed by the authentic acoustic blues of Toby Walker. Then there is a workshop-style session - 'Twilight Time', showcasing the talents of Stephen Fearing, Michael Johnston and the Winnipeg duo 'Twilight Hotel'.

Next up are 'The McDades' with their fiery blend of Celtic jazz. The festivities at Down By the Bay wrap up with sets by Little Miss Higgins and 'The Cottars'.

So that's Saturday at Summerfolk. Looking over all that is offered, it is amazing that all this music can happen in one place, in one day. But that's Summerfolk for you!

The Sharing Circle at Summerfolk

A new addition to Summerfolk this year will be The Sharing Circle.

You'll find the Sharing Circle tent just east of the permanent washrooms on site - out on the former beach area. My hope is that Summerfolk fans will have an opportunity to bring their instruments, stories and songs... and join-in!

In conjunction with the 'Circle' we are bringing back 'Stash Yer Stuff' - a secure place to store your instruments on site. The 'Stash Yer Stuff' trailer will be located near the Circle and tended by a volunteer crew.

You can see all the sessions being offered on the workshop schedule. Just click on '2008 Workshop Schedules' on the top righthand corner of the Summerfolk website.

Take a look - find a session or two that interests you and plan on participating. I think it's going to be a really great thing!

From 15 strangers to 3 bands...in 8 hours!

'JUMBLEJAM' - A new Experience at Summerfolk 2008

How would you like to jam with the pros, create an original piece of music and perform it on stage at Summerfolk - all in the same day? Thought so!

If you sing or play an instrument and can spare a few hours on Saturday, apply for the JumbleJam workshop - you might just end up in a band with Michael Johnston, James Gordon or Mike Ford.

Applications will be available at the Information Booth inside Main Gate. Deadline for entries is 11:15 am Saturday, August 16th. Drop off applications at the Information Booth Space is limited and the 15 participants will be selected purely for the way they fit the mix.

Gather at the JumbleJam Zone (just south of the South Gate) at 11:45 to see the band lists. The 2 hour song-building sessions will run at noon, 2 pm and 4 pm. JambleJam bands take the stage at 7:00 pm Saturday in the Down By the Bay tent!

JumbleJam workshops are about creating songs through a unique songbuilding process. An innovative, guided approach makes it possible for anyone to participate in the creation of a song, regardless of musical background. Facilitators Ken Dow and Martin Cooper will 'curate' 15 volunteer players into 3 bands, each anchored by a Summerfolk performer.

For more info on JumbleJam, visit www.creativityhappens.com/jjworkshop

Friday at Summerfolk

At 4:30 pm on August 15th, the gates open for the 33rd annual Summerfolk Music & Crafts Festival.

One of your first stops should be the Food Village. There you will find delicious treats from any one of the 19 food vendors - wraps, salads, pizza and hamburgers. There is also a selection of international fare - Indian curries, Caribbean jerk chicken, Chinese dishes and Mexican tacos.

Take a table at the 'Cafe of the Senses' and enjoy the music of 'Scatter the Cats' at 5:00 pm. The 'Cats' are a collective of well-known Owen Sound area musicians who perform great tunes with a 'wee' bit of an Irish twist. Then you can polish off you meal with some dessert - homemade butter tarts, cookies, ice cream, yogurt or a piece of pie.

The sound of bagpipes signal the Opening Ceremonies at the Amphitheatre stage. Bob Dixon has been 'piping in' Summerfolk for as long as I can remember. Dressed in his Scottish tartan, Bob's music echoes throughout Kelso Beach Park and calls all to take their seats for the evening concerts.

The first words you will hear are those from Dave Carr, the 'Voice of Summerfolk'. Dave is a veteran Owen Sound broadcaster and music aficionado. Following greetings delivered by the dignitaries, the music begins!

Friday night's Amphitheatre concert line-up is full of talent! In order of appearance, the schedule looks like this:

Mike Ford - with a great collection of Canadian songs

Natalia Zukerman - an impressive guitarist with cool, sultry vocals

Haines & Leighton - folk music that rocks with an East Coast flare

Toby Walker - talented acoustic blues artist

DiggingRoots - aboriginal music for the present that draws from the past

Kim & Reggie Harris - inspiring singers rich in emotion

Stephen Fearing - with his powerful lyrics and masterful musicianship

The Arrogant Worms - Canada's favourite musical comedy trio


The Amphitheatre at Kelso is magical. The sound system is finely tuned and every seat is a good one. There is nothing quite like listening to music outdoors. Attending an evening concert in the Amphitheatre at Summerfolk is an unforgettable experience.

By Friday night the artisans have their one-of-a-kind works on display. A stroll through the Artisan Village will reveal a fabulous array of handmade items. These creative artisans are selected by jury for the quality of their work and are encouraged to demonstrate and discuss their art.

There's more to do on a summer's night at Summerfolk. The licensed Down By the Bay tent has refreshments and some great music to go with it.

Tim Ronan starts things off at 7:00 pm. Tim was selected from the Open Stage at last year's Summerfolk to perform at this year's Festival. Tim is an enthusiastic player with roots in Celtic and blues music. Next up are two of my favourite local performers - Ken Dow and Martin Cooper. Ken and Martin are at Summerfolk to host the 'JumbleJam' sessions. Together they also perform as 'Love Pants', a duo that's fun and entertaining.

'Sheesham & Lotus' play old-time ragtime and high-steppin' mountain music. They will be a great addition to the festivities in the Down By the Bay tent. Performing on fiddle, banjo, harmonica, hambone, jaw harp and bones, those two musicians are a 'hoot'!

'The Pete Devlin Band' is fourth up on Friday night. Pete is no stranger to Owen Sound music fans and joining him at Summerfolk will be Dave Matthews on bass, guitarist Joel Morelli and Rob Elder on drums. The Winnipeg based group 'House of Doc' follows Pete. This acoustic quartet delivers high energy instrumentation and dazzling four-part harmonies.

'The Bebop Cowboys' wrap things up in the Down By the Bay tent. Canada's hottest western swing band, the jazzed-up 'Bebop Cowboys' are seven sensational musicians.

Along with these shows at the Amphitheatre and at the Down By the Bay tent, Summerfolk also presents the Friday night 'Young & Hungry' concert showcasing the talents of up-and-coming performers.

Host Jory Nash will welcome young musicians Geordie and Evan Gordon, who perform with their musical father James; the charming duo 'Twilight Hotel' and the talented Ariana Gillis to the stage. Closing the concert will be the exciting Cape Breton sounds of 'The Cottars'.

Also on the 'Young & Hungry' bill are three acts from the Grey-Bruce region. Oliphant's Hayden Stewart, Tyler Firestone from Wasaga Beach and Hanover's 'The Stairwell Mystics'. These performers were selected earlier this year for this appearance at Summerfolk.

Wow! Friday night at Summerfolk is action-packed. With three concerts, Summerfolk fans will have plenty of great music to enjoy.

Summerfolk Fast-Approaching

Last weekend I attended the Home County Folk Festival in London. It was their 35th anniversary and although the weather wasn't perfect, it was a wonderful event in beautiful Victoria Park.

Everywhere I went at Home County, people were talking about Summerfolk. There seems to be a real interest and renewed appreciation for what we do here in Owen Sound at our Festival.

Meanwhile, preparations for Summerfolk are in full swing with a line-up that boasts 49 fantastic acts, a fun-filled children's area and a unique Artisan Village.

Steps have been taken to do our part to help the environment. This year, our Gazebo Stage will be solar-powered and we are making efforts to sort waste efficiently, with a goal to send less material to landfill sites.

Plans have been made to offer an even wider selection of nutritious and tasty fare in the 'Food Village'. You can find a chair and enjoy the music at 'The Cafe of the Senses'.

On a sadder note, as many of you may know, Oliver Schroer passed away early this month in Toronto's Princess Margaret Hospital after a 16-month battle with leukemia. He was 52. Oliver was raised in the Markdale area and made his mark as one of Canada's most inventive instrumentalists.

Over a 25-year career, the violin virtuoso produced or performed on more than 100 albums and wrote more than 1,000 pieces of music.

"It wasn't just his playing that made him special, though he was an amazing performer; it was also the clarity of his musical vision," said his longtime musical collaborator, David Woodhead. "He took the violin as far as it could go. There were no boundaries for him. He had a way of bringing things out in other musicians that they didn't know were there. He had such an adventurous spirit."

Schroer leaves his wife Elena, mother Irene, sister Martina, and brothers Andreas and Ansgar.

In previous articles, I have been featuring performers who will be appearing at Summerfolk. With just three weeks to go before the festival, the last three Thursday columns will focus on each day's highlights - Friday, Saturday and Sunday.

Obviously, with a line-up that totals 49 acts, there are many more performers deserving of a in-depth article. As this will be my last opportunity to tell you more about them, I'd like to cover several in this week's SummerFocus.

Let's start with James Gordon.

When you consider such songs as Mining for Gold, Harvest Train, Frobisher Bay, Fields of Rock & Snow and Lonesome Cowboy's Lament, you have an enduring collection of songs that capture the essence of Canada - these are the songs of James Gordon.

A life-long resident of Guelph, James has had a remarkably diverse career. As a solo singer-songwriter and with the ground-breaking trio Tamarack, he has released over thirty albums and toured across North America and Great Britain.

James has written for symphony orchestras, dance and theatre productions. He has also composed film scores and written family musicals as half of "Jim and Dave". For five years, James was a familiar voice on the CBC radio program 'Basic Black'. He wrote a new, and very silly song, each week for the show.

With a huge repertoire that runs from the historical to the hysterical, James Gordon is never at a loss for songs. Sons Evan and Geordie will be joining their full-service folkie/songwriter Dad for a weekend at Summerfolk.

I saw Toby Walker perform a few years ago at a music conference in New York State. He was one of the most outstanding acoustic blues acts I have ever seen. Because Toby is such an in-demand performer, it took a while to get him to Summerfolk but I know he is going to have a large following at the Festival.

Toby Walker has been a student of the blues for many years, making numerous field trips to study and research the music's origins. With his natural storytelling ability and skillful delivery, he keeps the authentic blues traditions alive with all the old tunings, syncopations, rhythms, tunings, riffs and songs taught to him by the first-generation players.

Watching Toby perform, "where is the other guitar player?" has often been uttered by an astounded listener.

Dean McTaggart continues to make his mark on the local music scene since relocating to this area last year.

Dean's professional career was launched as the lead singer/songwriter of the pop/rock group 'The Arrows'. His writing needs little introduction - he's penned songs for international stars Amanda Marshall, Terri Clark, Wynonna Judd and Anne Murray. Dean has won numerous awards for his songwriting.

Another local performer, Clifford's Juanita Wilkins, has just released a new CD produced by the aforementioned James Gordon at his Pipe Street Studio. Juanita is a very fine vocalist. Images of life in rural Ontario form the basis for many of her compelling songs.

Summerfolk is about storytelling and many of our musical performers are experts at telling stories in song. This year's festival will also feature stories told by poet Liz Zetlin, Voyageur Storytelling and magician Marc Trudel.

When award-winning local poet Elizabeth Zetlin accepted the appointment as Owen Sound’s first Poet Laureate, she said: “I want to promote poetry, honour local poets and poetry in the community, make poetry more than ‘words on a page’ … a way of paying attention and connecting to the people and things around us.”

Liz has performed poems at Owen Sound City Council meetings, in the Library and at poetry house parties - to total strangers on the street and at the Farmer’s Market. Her random acts of poetry may materialize at anytime during Summerfolk.

Leslie and Paul Conway of Voyageur Storytelling are known to local summertime audiences for their Country Supper Storytelling Concerts in Grey and Bruce, but their roots in the folk traditions of storytelling run deep.

Leslie was the founding artistic director of Jewish Storytelling Arts and a long-time member of the Toronto storytelling community. Paul, who started as a singer, came into storytelling through hosting circles at Fort Edmonton Park. They live in Northern Bruce Peninsula, where they create and tell stories full-time.

It was through a meeting with Paul that the idea for Summerfolk's new 'Sharing Circle' came about. When I asked about the best way to facilitate a storytelling component at the Festival, Paul said it works best in a circle format - just like music jams where musicians take turns and go around the circle.

'The Sharing Circle' sessions will include join-in poetry and storytelling circles with Liz, Leslie and Paul as well as drum and music jams.

Combining magic, humour and theatre to create baffling and mystifying illusions, Marc Trudel is considered one of the most innovative newcomers on today's magic scene.

Marc started his professional career by presenting over 1000 shows as the official magician of the 'Just for Laughs' Museum in Montreal. He then toured Quebec performing a mix of school, festival and corporate events. Marc won the 2007 Canadian Championship of Magic with a performance of his 'Card Solo' routine.

I had the opportunity of seeing Marc's 'Card Solo' performance and was very moved by it. It combines pantomime and magic. I think it will be a really exciting addition to Saturday night's amphitheatre concert.

Oh boy, get me going and I just can't stop. When the Sun Times first approached me to do a column, it was suggested I write 750 - 1000 word pieces. Obviously I've exceeded the word count on many occasions ... and here I go again!

The outstanding Sara Hickman from Austin, Texas will be at Summerfolk. Michael Johnston, The McDades, DiggingRoots, Mike Ford, The Cottars, Twilight Hotel, Sheesham and Lotus, David Gillis, Kim and Reggie Harris, David Roth ...all these artists bring their talents to Summerfolk.

I haven't even touched on our dance program, First Nations participants, home-town favourites The Pete Devlin Band or our fire poi activities. Summerfolk is a feast for the senses. People of all ages are inspired and entertained at Summerfolk. It is truly a family event and a proud part of Owen Sound's cultural mosaic.

Celebrating the natural beauty, charm and appreciation of the good life we enjoy in this part of Ontario, this year's theme is "Experience the Sound".

I'll be back next week with a look at Friday night's programming. In the meantime, I invite you to visit the Summerfolk website for a look at the complete concert and workshop schedule www.summerfolk.org

The Musical Adventures of David Amram and Winnipeg's House of Doc

Musical compartments mean little to David Amram. His compositions and musical activities have crossed fearlessly back and forth between the classical, folk and jazz worlds.

A pioneer player of jazz French horn, he is also a virtuoso on piano, numerous flutes and whistles, percussion, and dozens of folkloric instruments from 25 countries. He is also an inventive and funny improvisational lyricist. He travels the globe with his music and returns home to tend his farm in upstate New York.

The high-spirited Amram traces his love for all sorts of music to a handful of influences. One of his uncles was a merchant seaman who gravitated toward the music of the places he visited. Another uncle introduced him to music by American First Nations people. Amram's Jewish heritage and upbringing in the farming community of Feasterville, Pa, population 200, also played a role in his musical education.

Yet another influence was radio. "Listening to the AM radio in the 1930s, they had jazz and symphony music coming from the same station," says Amram. "There were no demographics then.... I grew up thinking music was a lot of things."

David Amram identifies himself as "a full-time composer who is also an improviser, a conductor and a free-association scat singer" but that hardly covers the range of his work. Amram seems to have done everything there is to do in the world of music.

He has written operas and symphonies, played jazz with Charles Mingus and Thelonious Monk, composed the musical scores of the movies "Splendor in the Grass" and "The Manchurian Candidate" (the original version), conducted the Philadelphia Orchestra and played backup piano for Jack Kerouac and Allen Ginsberg reading from their work.

Now in his later 70s, the seemingly inexhaustible Amram tells in his new book, "Upbeat: Nine Lives of a Musical Cat," how he played with "Masai tribesmen in Kenya, country musicians in Texas, in a bell tower in Holland, and at a workshop in New Orleans for 300 flutists." Amram writes, "Improvising words and music on the spot and doing what feels right at the moment is what I have done since my days in the army in 1952."

When President Jimmy Carter gave permission to a group of jazz musicians to go to Cuba in 1977, thereby becoming the first sanctioned Americans to visit since Fidel Castro took over, Amram joined Dizzy Gillespie, Stan Getz, and Earl 'Fathah' Hines for 36 hours in Havana. Dizzy refused to follow the itinerary planned by Cuban officials, telling Amram, "We don't have to give out or take in any propaganda. Let's just hang out. We'll be cool wherever we go." They ended up, happily, in the outdoor gardens of the Havana Libre, jamming with local musicians.

When the World Council of Churches sent Amram to Kenya to put on two concerts in Nairobi, and he found his way to the countryside to play with Masai tribesmen, returning with "two new songs I could play and sing in Swahili."

David Amram is a storyteller - and he's very good at it. For example there's the one about being marooned in an airport in India. He and 100 other passengers learned via the airport squawk box that their flight had been delayed - again. Curses. Anger. What does Amram do? He starts a drum circle to ease the tension. Everyone was giddy when the flight finally took off.

Every year he joins up with Willie Nelson to support Farm Aid. "I feel as strongly about farming and the people who are farmers as I do about people who I work with in music. I was brought up on a farm, it’s just something like music that gets in your blood. Seeing a farm, a family farm, not a factory farm, but something that’s run with love and care, is as beautiful a work of art as any painting or any symphony. It’s real, it’s universal, and it’s something that we all came from."

Even in his seventies, Amram remains busier than most musicians a third his age, conducting here, lecturing there and on the road heading for another gig. On stage he is personable and immediately attracts an audience with his enthusiastic approach. With all that he has done, each show is an intimate celebration of music. David makes everyone a part of it in a way that is neither dry nor superficial.

At home with all kinds of music and musicians, he is a multi-instrumentalist able to draw from links that connect music around the world. David Amram is a folk festival dream come true. He can demonstrate the similarities and differences between wind instruments from nine or ten different countries, and then quickly conduct an improvisational song-writing workshop. Half an hour later he can put together a 14 piece band to perform one of his original compositions in the evening.

David Amram is a musical catalyst of the first order. A truly genuine and outstanding advocate of music.


The Winnipeg folk/roots group HOUSE OF DOC is named after the Wiebe family home which was presided over by Grandfather David ‘Doc’ Schroeder PhD. The family's history in Canada dates back to the late 1800s.

House of Doc is one big happy family - literally. It is comprised of Jesse Krause, Dan Wiebe, his sister Rebecca Harder and her husband Matthew Harder.

You'd think having this much family, blood or otherwise, in a creative setting could lead to drama. But according to Matthew Harder, families and bands aren't so different from each other. "The reality is, bands behave like family eventually." Harder says. "It makes staying together as a band more of a guarantee. Our commitment to the band is stronger because of our commitment to each other."House Of Doc incorporates elements of bluegrass, folk, country, gospel, blues, rock and old tyme music into their sound. An appealing blend of Canadian folk where high and lonesome mountain music meets the wheat field of the prairies. Infusing musical inspirations such as Gordon Lightfoot, Simon & Garfunkel and Spirit of the West with intricate harmonies and high energy instrumentation, the band packages it all up with a down-home delivery.

The group was born when guitarist Harder, already a professional musician, clearly saw the potential in this remarkable family of musicians. The Wiebe siblings, along with brother David, had been singing together since early childhood on Sunday mornings in their Mennonite congregation. Matthew encouraged them to raise their status as gifted amateurs to the professional level.

Mandolin player Dan Wiebe, the baby of the group, is a serious up and coming songwriter. He is a gifted composer/arranger of classical and choral music as well. Big sister Rebecca Harder plays banjo, flute, a variety of whistles and accordion. She is also a highly regarded music educator.
Bassist Jesse Krause, the newest member of the Docs, replaced David who left the group in 2005. His multi-instrumental capabilities and musical imagination has galvanized House of Doc into an even stronger band.

Dan Wiebe explains, “We have a pretty large instrumental capability - flutes, whistles, harmonicas, bouzoukis, bassoons, piano, guitars, squeezeboxes, and we’re not afraid to use it. I’ve played bassoon with the Winnipeg Symphony. Besides playing guitar Matthew is also a concert pianist. As a group we’ve got a lifetime of singing Sacred music - a cappella and in choirs It’s just a great big smorgasbord of sounds and influences."

The band's album "Prairiegrass" was recorded under the direction of producer Vince R. Ditrich (Spirit of the West), who fortuitously met the group onstage during a workshop at the 2004 Winnipeg Folk Fest and struck up a conversation. “One minute we were chatting about Matthew’s lovely Gretsch guitar and the next minute we decided we’d work together on an album project.”Their latest CD 'East of West', was recorded at the Tragically Hip's ‘Bath House’. The month-long residential session brought out the very best in House of Doc.

Mathew recalls visiting Summerfolk as a youngster when he resided in Ontario. He is very excited about returning to perform on stage at the festival. His parents are long-time folk music fans who plan on accompanying House of Doc to Owen Sound.

Superb four-part vocals define the band. The music they perform is fun and adventuresome. Along with workshop and concert appearances at Summerfolk, House of Doc will be featured in the Sunday morning gospel show "Oh What Joy!".

The Open Stage at Summerfolk

I am hoping we'll have lots of interest in Summerfolk's Open Stage again this year. Combining the Homemade Jam Stage with the 'Cafe of the Senses' has worked really well - there's always an audience and the crew does a great job making everybody sound good.

Open Stage slots are available on Saturday and Sunday during the day. Each 1/2 hour spot is shared by 2 or 3 performers, providing each participant with approximately 8 minutes time (2 selections).

HOW TO "RESERVE" YOUR SPOT:

A limited number of slots are available for pre-registration (noted as pre-assigned in schedule below). Contact the Georgian Bay Folk Society office to sign up - phone (519) 371-2995 or email gbfs@bmts.com.

On-site registration is on a first-come, first-served basis (noted as festival sign-up below).

You must be in possession of a ticket for that day or be on site as a volunteer.

If all the pre-assigned slots are not filled prior to the festival, those time slots will be available for festival sign-up. Please arrive at least 15 minutes prior to your assigned performance time and check-in with the Homemade Jam crew.

* YOUR CHANCE TO PLAY SUMMERFOLK:

One performer from the weekends' Open Stage will be offered the opportunity to join the performers' line-up for next years' Summerfolk! That selection will be done by our Homemade Jam Tent crew and will be announced from the Amphitheatre Stage at approximately 8:30 on Sunday evening.


HOMEMADE JAM TENT SCHEDULE:

Saturday;
11:00 - workshop
11:45 - workshop
12:30 - Open Stage Slot (pre-assigned)
1:00 - Open Stage Slot (pre-assigned)
1:30 - Open Stage Slot (pre-assigned)
2:00 - workshop
3:00 - Open Stage Slot (festival sign-up)
3:30 - Open Stage Slot (pre-assigned)
4:00 - Open Stage Slot (festival sign-up)

Sunday:
12:00 - workshop
1:00 - Open Stage Slot (festival sign-up)
1:30 - Open Stage Slot ( pre-assigned)
2:00 - workshop
3:00 - Open Stage Slot (pre-assigned)
3:30 - Open Stage Slot (festival sign-up)
4:00 - Open Stage Slot (pre-assigned)

Summerfolk Concert Schedule

AMPHITHEATRE CONCERTS 6:00 - 11:00 pm

FRIDAY
Mike Ford
Natalia Zukerman
Haines & Leighton
Toby Walker
DiggingRoots
Kim & Reggie Harris
Stephen Fearing
The Arrogant Worms

SATURDAY
Red Chamber
The Bebop Cowboys
David Amram
Sara Hickman
Marc Trudel
Modern Man
Harry Manx
Le Vent du Nord

SUNDAY
The Summerfolk Choir
David Gillis
Crowfoot
Jory Nash
Little Miss Higgins
David Roth
The McDades
Connie Kaldor
Finale

SUNDAY MORNING 10:30 am
'Oh What Joy!'Connie Kaldor, Kim & Reggie Harris, House of Doc & David Roth


DOWN BY THE BAY CONCERTS

FRIDAY 7:00 pm - host Eve Goldberg
Tim Ronan
Love Pants
Sheesham & Lotus
Pete Devlin Band
House Of Doc
The Bebop Cowboys - Juanita Wilkins at break

SATURDAY 7:00 pm - host Mike Ford
Jumble Jam
Toby Walker
'Twilight Time' - Twilight Hotel, Michael Johnston & Stephen Fearing
The McDades
Little Miss Higgins
The Cottars

SUNDAY 6:30 pm
'The Last Laugh' - Modern Man, The Arrogant Worms & Mike Ford


CAFE CONCERTS 5:00 pm

FRIDAY - Scatter the Cats
SATURDAY - House of Doc
SUNDAY - The Cottars


YOUNG & HUNGRY - FRIDAY 7:00 pm
James Gordon & Sons
Tyler Firestone
Twilight Hotel
The Stairwell Mystics (formerly known as Driftar)
Ariana Gillis
Hayden Stewart
The Cottars

Quebec's 'Le Vent du Nord' and Prairie Blues Artist 'Little Miss Higgins'

At first, LE VENT DU NORD sounds very much like a traditional Celtic group. But then the voices come in. Not only is much of their vocal work four-part harmony, but it's in French as well.

Le Vent du Nord is a band dedicated to preserving and sharing the musical heritage of Francophone Canada. This quartet of musicians from Quebec is one of the best-known groups in a exploding French Canadian folk revival."When I was young, it was considered a shame to play this music," says Nicolas Boulerice of the band. "But now, it is becoming à la mode."
All the group members are in their early 30s and come from musical families. Rejean Brunet performs on bass, accordion and piano. He grew up playing music with his brother Andre in the small town of Lacolle. Boulerice says that he and guitarist, Simon Beaudry, grew up surrounded by music. "Traditional singing and dancing - we were just born into it. But we also research for new repertoire, and Olivier (Demers), the fiddler, he composes a lot of tunes - so we have a mix of new and old."

That mix is at the core of Le Vent du Nord's approach. The group's instrumentation includes fiddle, hurdy-gurdy, accordion, guitar, piano and bass. The overall sound can have the gentle lilt of concert ensembles such as the Chieftains, but also the flavor of crossover groups like Steeleye Span and the pioneering French group Malicorne."The new generation has re-appropriated this music," Boulerice says. "Taking it not as a historic thing but something that is still in movement. We bring what is in our own tradition but also other styles. In the way we play chords, you can hear we studied a little jazz. In concert especially, we like to kick a little bit like a rock 'n' roll band."Boulerice's main instrument, the hurdy-gurdy, is a medieval invention. Its French name, vielle à roue, translates roughly as "wheeled fiddle". It consists of a wooden wheel the player turns with a crank in his right hand - this acts like a never-ending bow. The left hand pushes keys that act like a fiddler's left-hand fingers."This was part of the old French roots," Boulerice says. "When settlers first arrived 400 years ago, they had bagpipes and hurdy-gurdies. But it was probably hard to keep in tune because of the weather and the instrument is quite fragile. It was also not the easiest thing to bring across the ocean."Boulerice began playing the instrument 12 years ago. He was already working as a pianist but fell in love with the unique sound of the hurdy-gurdy."It impressed me because it has one foot in the past and another one in the future." he says. "It is very old, born in the 12th century, and at the same time it's very modern because nobody knows it. And it's like the synthesizer of the Middle Ages: Sometimes it sounds like an electronic instrument, but it also has this drone like a bagpipe. So I was attracted by this ambiguity."Le Vent du Nord recently released its third CD, "Dans les Airs," and has been touring North America and Europe. Boulerice says it is interesting playing their music for audiences in other areas and that language is less of a barrier than some people might expect.
"I think it's like when I was young and I was listening to a lot of Anglo-Saxon music and American music," he says. "I didn't know anything about what the Beatles were talking about, but I loved it.""And this traditional style, it also has enough musicality that you don't really need to understand the lyrics to enjoy it."


Jolene Higgins, better known as retro-country blues artist LITTLE MISS HIGGINS, is a pocket-sized powerhouse who mixes originals with 1930s Memphis blues standards. Accompanied by musical and life partner David Mark, her guitar work is rooted in a vintage sound and her energized stage show is full of gutsy, spirited songs.

Born in Independence, Kansas, Jolene was 13 when the family moved to Brooks, Alberta. After high school she studied theatre in Victoria and Red Deer. She performed at the Edmonton Fringe Theatre Festival before her musical career started to take off. "I still consider music as performing - telling stories as well as playing music. I have a hard time standing still".

"When I started playing guitar I listened to Joni Mitchell and Bob Dylan. That took me farther back to find out who they were influenced by. Hearing people like Billie Holiday and Ella Fitzgerald, I kept digging farther back. Who was Billie Holiday influenced by? Bessie Smith. Who was Bessie Smith influenced by? Minnie McCoy".

Higgins' musical world was soon bound by the songs, stories, mannerisms, fashions and ribald excess of the all but forgotten artists who were the pioneers of rock 'n' roll in the 1930s and '40s. It helped, she noted, that they lived very theatrical lives, onstage and off.

"Memphis Minnie was really cool because she also played guitar". Higgins plays an old-fashioned but smokin' style on her 1960s Kay archtop guitar played through a Fender Blues Junior amplifier, getting the warm tone you would have heard from the early electric guitars.
Jolene and David, who uses the stage name Foy Taylor which is always a cute part of their show, reside in Nokomis, Saskatchewan. Another prairie town, this one is located about halfway between Saskatoon and Regina. Nokomis was at one time the point where the Canadian Pacific and Canadian National rail lines crossed. These days it's a small and isolated bit of the prairies' fabled past, home to just 400 people.
"I'm definitely a prairie girl. I spent a year in Victoria, which is beautiful, but I realized that I'm a prairie person". Indeed, the big country of Saskatchewan figures prominently in Higgin's songs. In her country blues style, she sings of the wind, the emptiness of the landscape and getting dirty fingernails from tending the garden.

“Junction City”, her album inspired by life in Nokomis, was nominated in the Blues Album category for the 2008 Juno Awards. The five foot two singer/guitarist was also nominated in the Favourite Blues Group or Duo category of the 8th Annual Indies Awards.

Bound to be a big hit at this year's Summerfolk, the songs of Little Miss Higgins reverberate with the twang of pre-rock blues and post-Carter Family country music coming alive in her signature 'kick up your heels' style.

"It will be nice to get east," said Higgins, who made her Toronto debut last October at the Free Times Café. "But it's also nice to get back to a place like Nokomis, somewhere quiet, with a house and garden. I get a lot of inspiration from that".

Here come the witty Worms - Here comes Mr. Nash

When The Arrogant Worms take to the stage, they have a mission - to make audiences laugh! And laugh we do.

The self-proclaimed "Clowned Princes of Humor, Purveyors of the Absurd, and Ambassadors of Fun" are one of Canada's most popular live acts. With great stage presence, super-tight harmonies and the sharpest of wit, they provide tuneful and silly escapism, all in one lovable package.

The Worms (as they are affectionately known) have appeared at festivals and concert halls from coast-to-coast. Their live performances have a reputation for high energy, a playful atmosphere, and unusual audience participation. It is clever and clean comedy for all ages.

The group consists of three intriguing personalities - Trevor Strong, Chris Patterson and Mike McCormick; each of whom brings a unique character to the equation. With roots in folk and acoustic rock, they are known to shamelessly borrow from all types of music. The focus is on their vocal delivery and lyrical satire with Mike on guitar and Chris occasionally on the bass. Playing off each other with impeccable comedic timing, they are quite the showmen.

While the humor of comedy acts could become dull, stale, or simply dated over time, the Arrogant Worms manage to remain refreshingly funny. Their easy-going attitude, charm and on-stage banter always makes for one-of-a-kind show. Watching them perform, it's easy to tell they're having a great time too.

The Arrogant Worms' humor ranges from topical to the absurd. They often take a satirical aim at rock, folk, country, Celtic and children's music. For example there's the country-styled "The Lonely Lab of Broken Hearts", the Celtic "Gaelic Song", the heavy metal "Log in to You" and "Billy The Theme Park Shark". In short, there's almost nothing to which the Worms are unwilling to give their own special twist.

When not spoofing a particular style of music, the Worms' material pokes fun at various aspects of daily life in Canada with songs like "Canada's Really Big", "The Last Saskatchewan Pirate", "Me Like Hockey", "We are the Beaver" and "Proud to Be Canadian".

In fact, The Arrogant Worms have become part of Canadiana. Their songs are used in school lesson plans across the country and one has even made it into an English textbook! Their song “Dangerous” was played aboard the Space Shuttle Endeavour for Astronaut and fan Chris Hadfield. They were voted the most popular Canadian band on a national radio show - the band that came in second was AC/DC.

The Arrogant Worms have been performing since 1991. The group had its beginnings in Kingston writing for campus radio at Queen's University. A hobby of radio comedy turned into a full-time career that knows no bounds. In the beginning the radio show was a combination of comedy songs and sketches. Once the touring began, the sketches were dropped and the focus was the music.

Ten albums have sold more than 120,000 copies and The Arrogant Worms continue to tour North America and even Australia. Their show is full of energy, fun and guaranteed to make you laugh.


Jory Nash has a warm stage presence that reaches out to envelop his listeners. An accomplished storyteller, his between-song commentary is an important element of his performances. He is a truly independent artist with a unique vision and a charming style.

Strongly rooted in traditional balladry, with elements of jazz, blues, country and pop peeking through the musical curtain, he has matured into an artist of substance. He interprets the songs of others with an understanding that makes them a compelling part of his repertoire. His own material is well-crafted, reminding one of the music of Paul Simon, Joni Mitchell or Lyle Lovett.

Jory has toured North America several times, playing folk festivals, folk clubs, concert series and house concerts. He has built a large, loyal fan-base and he has been fortunate enough to see most of North America in the process. Unusual things tend to happen to Jory on the road, and he will often incorporate these events into his onstage storytelling.

Born and raised in the Toronto area, Jory was influenced by a Pete Seeger concert he attended with his parents at the age of eight. From there, he continued his passion for music, mastering various instruments including the 6 and 12-string acoustic guitar, 5-string banjo and piano.

Summerfolk was the first folk festival Jory attended when friends from Thornbury suggested he join them for the weekend in Owen Sound. He loved what he experienced and made it a personal goal to return to Summerfolk as a performer.

Jory has dedicated himself to the folk music community. He has been a board member of the Ontario Council of Folk Festivals (OCFF), an organization that serves to promote and advocate for folk events. For several years he administrated the 'Songs From the Heart' songwriting competition, making it an integral part of the annual OCFF conference and mentoring up-and-coming young writers.

At the insistence of Estelle Klein, the women who pioneered the unique concept of workshop and concert scheduling at folk festivals, Jory was invited to sit on the board of ArtsCan Circle as well. Inspired by the work of harmonica player Mike Stevens, ArtsCan Circle is dedicated to linking creative artists with native youth in isolated communities.

Jory also produces a yearly tribute concert to Canada’s legendary songwriter Gordon Lightfoot. The show is called “The Way We Feel” and was co-founded with fellow songwriter Aengus Finnan. The third weekend of January, songwriters gather at Hugh's Room in Toronto to perform Lightfoot songs in honour of his musical contributions to Canadian culture.

A well-rounded performer, Jory Nash is the kind of musician who always delivers a fine show. He knows how to make folk festival workshops interesting and inclusive. A student of music, he has a refreshing take on the storytelling tradition of songwriting. In concert, his comfortable style is highlighted by humourous anecdotes and song introductions that become as memorable as the music.

Spinning tales of discovery and confession, Jory Nash takes songwriting seriously. Not afraid to be labeled a folkie, he is fully aware of his connections to folk music traditions. His songs have a focus that can best be described as personal, honest and direct.

His latest CD, 'Folk, Jazz, Blues & Soul', is a well-paced collection of original and cover songs - much like his live performances.

Women in Song

Connie Kaldor, a Juno-award winning singer, has flourished on the folk music scene for three decades. An artist of substance without pretension, she is one of Canada’s most significant contemporary folk performers.

Her live performances are legendary and her fan base is broad and extremely loyal. People come back to see her again and again because a Connie Kaldor show is about more than just the power of music. It is also about the power of personality. What she says between songs is as intriguing as the lyrics she shares.

Connie has travelled prairie backroads to visit modest community centres and sold out concert halls in major cities. From Bejing to New Dehli to Saskatoon to Washington, Connie has triumphed with a mix of song and spoken word honed in pacing and tone by the many years she has spent performing.

You may recall Connie's Vision TV series 'Wood River Hall'. Showcasing the best in Canadian folk and acoustic performers, guests included Bruce Cockburn, Sylvia Tyson, Blackie and the Rodeo Kings and Shari Ulrich. Each episode featured Connie singing a song on her own as well as joining in with the guest.

Like many a prairie girl, Connie grew up singing in the church choir and listening to Patsy Cline and The Beatles on her record player. She sang at the Regina Folk Festival in her teens but initially pursued a professional career in the theatre, studying dramatic arts at the University of Alberta and performing at the Théâtre Passe Muraille in Toronto.

She left the theatre for music in 1979, touring the prairies with Heather Bishop and by the next year, was singing at the Vancouver Folk Festival. In 1981 she undertook her first national tour and established her own independent record label.

Joining forces with 'Fleming and Associates', one of the major acoustic music agencies in North America, Connie was soon headlining folk festivals across the country. She was part of a wave of Canadian talent, along with Stan Rogers, Ferron, Heather Bishop, Valdy, Roy Forbes and Stringband that was forging a distinctly Canadian sound.

Some of Kaldor's best-known songs include 'Bird on a Wing', 'Wood River', 'Wanderlust', 'Gentle of Heart', and 'I Go Out Walking.' Her 'Strength, Love and Laughter' has been an important song in Canadian feminist music. 'Bellybutton' (the title song of a Bishop album) has been popular with children's audiences.

When songwriting, Connie says "What often comes first is the rhythm of a melody or the rhythm of a series of words. That seems to lead me down the path to a song. I love the rhythm of language."

"As much as I like performing, I love the creative aspect of songwriting. It is wonderful to make something out of thin air. I have done all kinds of writing. I have written for theatre, I have written for a specific demand (can you write a song about grain handling?) but mostly, I have written because I can’t help it. It is the way I express myself and most of all, it’s fun to do."

Settling in Montreal in 1990, Connie married Paul Campagne, founding member of the group 'Hart Rouge'. They have two boys, Gabriel and Aleksi.

Connie Kaldor has been a favourite on the folk festival and concert circuit for her bold performance style, sense of humour and passionate singing. With a varied repertoire of love songs, social commentary, historical and contemporary Canadian narratives, she is one of this country's musical treasures.

In 2007 Kaldor was appointed a member of the Order of Canada.

Natalia Zukerman has a sound that’s strong yet delicate, gentle yet insistent. You can call the music she makes folk, but jazz and blues are a part of it too. Then there's that soulful something or other that you can’t quite put into words. Whether onstage or on record, she presents herself just as she is - no gimmicks, no flashy pyrotechnics, only the solid musicianship of someone who knows and loves her craft.

Zukerman didn’t have to look far to find musical influence. She attributes her rigorous work ethic, discipline and instrumental predisposition to her parents. The daughter of violinist/conductor Pinchas Zukerman and flutist/writer Eugenia Zukerman, Natalia grew up in Manhattan immersed in classical music.

After receiving the requisite training early on, Natalia realized her first instrument, the violin, was not taking her where she really wanted to go. There were glimpses of an alternative. “My parents used to go to the Aspen Music Festival in the summer when I was very young. One day I saw the classical violinist Nigel Kennedy playing fiddle in a bluegrass band, and heard banjos for the first time."

Then Natalia saw Suzanne Vega play. "It was the first time I'd seen just a woman with a guitar. That was a 'wow' moment. Up to that point I had no idea."

Once her eyes were opened to the folk scene, everything began to change. She turned her attention to the guitar, starting with classical lessons. After graduating from college, Natalia began writing songs and her own musicality blossomed.

Her love for the guitar led her to explore various types: electric, acoustic, slide, lap steel, even the banjo and a brief foray into traditional Indian technique. Her intricate sense of rhythm and meter came naturally. So did the lifestyle of a traveling performer.

Natalia's lyrics delve boldly into work, love, temptation and the journeys to personal reinvention. Intelligent and full of imagery - country roads that lead to red barns, antique shops, glass bottles and roadside coffee shops. City streets and back alleys, flagging cabs and the buzz of a streetlight clicking.

Blending folk, country, jazz and blues, she has created her own sound and found her own voice. Onstage, Natalia Zukerman knows exactly how to create richly textured, atmospheric settings for her intimate songs.

The Bebop Cowboys & Stephen Fearing

Authentic in every detail, the Bebop Cowboys play country swing as it would have sounded in the best dance halls on a Saturday Night anywhere in Canada 60 years ago. Without a doubt, the BeBops are the best western swing orchestra in the country. They love what they play--and it shows!

The band interprets a style made famous by the likes of Spade Cooley, Bob Wills and his Texas Playboys, and Ernest Tubb's Texas Troubadours. The 'big band era' spawned this hybrid country music - western swing, music that was a staple in small dance halls across the continent from the 1930s to the advent of rock and roll in the 1950s.

The music can be deceptively simple: a shuffle here, a two-step there - it was designed for dancing, after all. But it also leaves room for ranging solos and playful conversations between instruments that let the music be as complex as the musicians wish. At its best, it is a genre that allows for tremendous musicality, and the Bebop Cowboys are western swing at its best.

In this part of Ontario, many of us were exposed to country music with a bit of Canadian swing to it on CKNX TV. The station's travelling Barndance Show played nearly every town in the counties of Grey, Bruce and Huron. I fondly remember many fine fiddlers who loved playing swing fiddle tunes too - Owen Sound's Harry Parker, Graham Townsend and Teeswater's Roy Renwick.

As the Bebop's Steve Briggs says "For many people in Canada, the first time they ever saw musicians playing this music, it was performed by local players at the town dance hall. Even early Canadian television shows like Holiday Ranch would have the house band members decked out in Stetsons and cowboy shirts, playing western-swing-style music on fiddles and accordion. It occurred to me that western swing may have been a much more important part of our Canadian cultural heritage than many people realize."

Some of Toronto's most respected musicians perform in The Bebop Cowboys. Along with bandleader, arranger, guitarist Steve Briggs, there's co-founder Howard Willett with his whisky-soaked baritone voice and harmonica playing. Pedal steel guitar player Burke Carroll is one of the best I have heard on the instrument. Pianist John Sheard is a regular contributor on Stuart McLean's CBC radio show and bassist Dennis Pendrith appeared with Murray McLauchlan at last year's Summerfolk. Rounded out by drummer Ted Hawkins and fiddler Aaron Soloman, the BeBops are oozing with talent.

The arrangements Steve Briggs establishes for the band are fabulous. The fiddle and guitar, or the pedal steel and harmonica, will play lines together much like the horn section in a big band arrangement. The synergy between the players keeps the rhythm smoothly chugging along. And when the Bebops start exchanging improvised solos, look out 'cause these boys are really terrific players.

The band performs a number of their own compositions that stand proudly alongside the western swing classics and put them well beyond the class of mere revivalists. Anyone who appreciates good music, played with taste, will enjoy the sound of The Bebop Cowboys.

The songs of Stephen Fearing sweep over you with their stunningly beautiful melodies, personal lyrics, pristine guitar accompaniment and distinctively warm baritone vocals. Once enveloped, one can savour the nuances of his well-chosen words and his masterful command of the acoustic guitar.

Fearing was born in Vancouver, but spent most of his boyhood in Dublin, where he picked up the traces of Celtic folk that colour his music. "I moved to Ireland when I was six. My folks got divorced, my mother married an Irishman and so we moved there. Baggage, three kids, my mom and my stepfather. I was there for eleven years."

Returning to North America, Stephen moved back to Vancouver after a short stint in the U.S. Midwest. He launched a career that has made him a regular and popular fixture on the folk club and festival circuit in Canada, the U.S. and the U.K.

The consistent quality of work produced over his two decades plus in the music business has earned him a West Coast Music Award for Best Folk Music Recording and five Juno Award nominations as a solo artist. Stephen won the 2007 Juno in the Roots & Traditional Album category for his 'Yellowjacket' CD.

Successful appearances at festivals like Peter Gabriel's WOMAD and the prestigious Reading Festival in the U.K. have confirmed Fearing’s ability to engage large audiences with his onstage charm. He is equally at home in a small intimate venue - just ask the folks who saw him perform a recent show at Back Eddy's in Paisley.

While researching for this article I couldn't help but noticed how time and again it has been said Fearing is on the verge of breaking through to the 'big time'. For example "I think people have always recognized Stephen's abilities as a songwriter, but you've had to see him live to know just how talented a guitarist and singer he can be," said Bernie Finkelstein, the long-time manager of Bruce Cockburn who signed Fearing in 1991 to his True North label. "With this album, Stephen's finally going to get his due as a musician and performer."

Then there's a review on his 'So Many Miles' CD released in 2000 - "Stephen Fearing is one of those artists that people hear at one point and remark on how good sounding he is; both his voice and his instrumentation. They promise themselves to check him out at a later point but then promptly forget to. This promise is only remembered upon hearing Fearing again. This is unfortunate for the career of Fearing who, by the excellent quality of his work, should be far more popular then he is."

I'm not sure but maybe it's a good thing people like Stephen Fearing don't hit 'the big time'. Sometimes if you're a little bit 'hungry', you produce music that resonates and communicates most effectively? At any rate, I have seen Stephen play on many occasions and have always been captivated by his performances. I am a giant fan and he will be one performer I'll make time to see at this year's Summerfolk. There are thousands of singer/songwriter guitar players out there, but few who have the capacity to 'blow you away' like Stephen Fearing.

"To say, 'Well, what is this song about?' is perhaps not as important as what it feels like." he says of his songwriting. “Love Only Knows,” a tender portrait of a parent coming to terms with a child’s burgeoning maturity - “Love only knows what happens now, Yesterday turns under the plough, Only a fool would not allow You to stand on your own.”

Stephen Fearing - "There are old cultures and generations of poetry and folk influences in the bones of his music. There's also a nod to Richard Thompson, a little Gordon Lightfoot, a touch of James Taylor magic. Fabulous stuff". NetRhythms

Red Chamber - Exploring Chinese Musical Traditions

It takes passion to pursue a career in music and I can safely say that all of the 2008 Summerfolk performers certainly have that devotion for their craft. RED CHAMBER is a group that personifies this idea.

Elegant in their formal attire, RED CHAMBER is fascinating to watch. Their inspiration comes from a rich culture and the traditional pieces they perform have played an important role both as court and folk music in China.

Mei Han, bandleader of RED CHAMBER, is an enthusiastic and vibrant artist who seeks out new forms of expression. Mei (pronounced May) is a virtuoso on the Chinese zheng. The zheng is about 5 feet long and resembles a harp played in a horizontal position. Twenty-one strings arch over high movable bridges on the body.

Musicians use their right hand to pluck the strings. The left hand presses the strings to produce notes while adding vibrato, pitch alterations and slides. In contemporary practice, the left hand often joins the right hand to play a counter-melody. Experimental techniques can include the use of a bow, hammering or preparing the strings.Mei's playing is always as delicate as it is authoritative. Impeccable timing, dynamics and subtle changes in touch and tone are beautifully created in her masterful hands. Presenting music deeply rooted in over two thousand years of Chinese culture, Mei transforms this stately instrument into a powerful tool for contemporary explorations.

Ms. Han studied with China’s top zheng masters Zhang Yan and Gao Zicheng. "Music is learned from a master in China, always through formal conservatory training. If you want to be a professional musician, you have to have graduated from conservatory" says Mei. Her dedication took her to some 28 remote ethnic nationalities in Southwest China to collect folk songs.

"My first zheng teacher, who is still living, is the last generation of Chinese folk musicians. He taught me by voice and notation. Phrase by phrase he'd sing the melody and in this way I was able to learn the traditional material."

For more than ten years Mei performed as a featured soloist with the prestigious Beijing Zhan You Ensemble. It is the premiere ensemble of its type in China. In 1995 she received a Master’s Degree in Ethnomusicology from the Musical Research Institute of the Chinese Arts Academy in Beijing, considered the most prestigious institute for Chinese music studies.

Mei came to Canada in 1996 to attend the University of British Columbia. Having received yet another Master's Degree at UBC, she is currently working on her PHD. "I spent 15 years studying English while still in China. I knew coming to Canada was going to work out. Everything here - it's for me. The value placed on culture and morals are very close to mine - honest, friendly, courteous, all these things. I consider Canada my home now."

Most meaningful to her music and life, is that in Vancouver, she met Randy Raine-Reusch who became her husband in 2001. Randy is an improvisational-based composer. He is heralded as a "dexterous multi-instrumentalist" due to his ability to play about 50 of his collected 600 world instruments. Randy has created distinct new performance styles on a number of instruments including the Chinese zheng, Japanese ichigenkin (one-string zither) and the Thai khaen (16-reed bamboo mouth organ). He has recorded tracks on albums by Aerosmith and the group Yes.

Since their meeting, Han and Raine-Reusch have redefined the zheng, and challenged the world of traditional Chinese music in general. Together they have invented new tunings, developed new fingering techniques, expanded old structures and created radical new forms of expression on the zheng. They have created a new repertoire, combining Chinese musical traditions with those of world music and jazz.

"There is no improvisation at all in Chinese music. Randy taught me about free-jazz and playing spontaneously" says Mei. "I have also worked with bluegrass and folk musicians learning to improvise over chord progressions. The zheng is a very neutral instrument and can embrace many others - mandolin, banjo, slide and classical guitar. I've learned to jam on 12-bar blues too."

Happily, Randy Raine-Reusch will be joining RED CHAMBER for their Summerfolk performances. Along with Mei, the ensemble is rounded out by Zhimin Yu on ruan and pipa master Guilian Liu. Refering to her bandmates, Mei says "Guilian and Zhimin are two of the finest players I know and with this group, the musicianship is at a very high level." RED CHAMBER will undoubtedly be an exciting addition to Summerfolk.

A big thankyou goes out to the Canada Council for their financial assistance in making it possible to bring RED CHAMBER to Summerfolk. Through their Travel Assistance program, the transportation portion of their fee is covered by this government agency.

RED CHAMBER straddles traditional and contemporary, whether it be ancient Chinese string band music, folky bluegrass or jazz fusion. They excel in bringing China's ancient repertoire to life but they are also very much performers for the 21st century. These fine musicians set the stage on fire with hot licks, power and passion!

Brenda Scott - President, Georgian Bay Folk Society

To organize Summerfolk takes a considerable amount of effort, expertise and teamwork. With the dedication of people like Brenda Scott, Summerfolk continues to be one this area's finest events.

President of the Georgian Bay Folk Society, Brenda works tirelessly on planning, promoting and implementing all the necessary elements that go into making Summerfolk a success. She chairs monthly board meetings as well as numerous committees. Brenda is not one to leave any detail unattended; promotions, ticket sales, sponsorship, volunteer communications - there's always something to be done. Typically she will spend some 1500 volunteer hours in a given year in her role with the Folk Society.

Born and raised in Newfoundland, Brenda comes by her love of music honestly, growing up in a home where music was always present. Although she does not play an instrument, she has put her considerable talents to good use. She enthusiastically champions the festival wherever she goes.

Brenda moved to Owen Sound with her husband Ian in 1979 and attended Summerfolk for the first time the weekend they came to town. "Friends from Bracebridge had told me about this great festival in Owen Sound and said I would love it." So she stopped unpacking for a few hours and went to the festival.

For the next few years the whole family attended and Brenda had an opportunity to watch the volunteers. "Everyone looked so involved, engaged and they were having fun". So she thought "I'd like to be a part of this. The first year, I volunteered at the information booth. Bill Marshall came over to ask if I'd consider running for the board and I said yes."

This is Brenda's third tenure as president. Spanning 3 decades, she has served in the early 80's, the late 90's and now since 2006. "Part of the reason I wanted to come back for the third time was that we had a few years where our financial situation was a little precarious. After 9-11, people weren't travelling as much, ticket sales were down and that was hurting the bottom line. I saw that coming out in our annual general meeting and I wanted to come back to see if I could help fix that situation."

Brenda says "You have to have the structure in place - that structure makes it possible for Summerfolk to happen. We've gone back to the folk festival model and people are happy about it - a big wave of momentum has come back. A large part of the success has been the amazing response from the Grey Bruce community."

Some 640 volunteers, spread among 41 different crews, attend to the various tasks that need to be done at Summerfolk. "We have a solid base of people who return year after year and I think that's something that's unique about us. We have people who have volunteered for all 33 festivals At the same time we want to encourage younger people to get involved . We have lots of vacancies for those who want to join in."

"The other aspect in my role as president is also to look for volunteers to work on other Folk Society programs and initiatives throughout the rest of the year. A lot of people know us as Summerfolk but they don't realize we're looking for volunteers to help with fundraising, youth programs and all those kinds of things."

Fans of the festival have special memories of Summerfolk weekends and Brenda fondly remembers seeing Utah Phillips. "Certain performances stay with you all year when you're running around working so hard on things and stop to think about some particularly good moments. Utah Phillip's performances for me, were that."

"Odetta - that was a thrill. Even Gowan when he sang Imagine - that stays with me. Samba Squad - oh I loved them. The experience and sound of the amphitheatre is unique to Summerfolk. There isn't another venue we'd want to go to. When you go into that amphitheatre and feel the sense of community - that's a treasure. And I particularly enjoy the workshop aspect - the synthesis from bringing people together in the workshop sessions. Those are the unique things that you won't see any place else."

When asked for her definition of folk music Brenda replies, "That's the music I like!" Then she goes on to say "Music by the people, for the people and about the people." Digging deeper for more "It's music from the heart and the mind. I love music that makes me think about things. When you hear a song that offers a new insight or a different take on an issue - that's good stuff. It can change your thinking. It can change something in your life."

"The other part of it is, it's from your heart - it brings back memories of home, family and all the warm moments. It's creative too. There are many people who write their own folk songs. Contrary to what people think about folk music being stuck in the past, it's very cutting edge - it's what people are doing right now.

Summerfolk Kids Just Wantta Have Fun!

Summerfolk is a wonderful place to bring the family. The Children's Village, with its hands-on craft projects, games, playground equipment and terrific musical line-up is a place where kids will be inspired and totally entertained.

The crafts area in the Children's Village is a bee-hive of activity. Shirley Jarvis and her crew of volunteers keep the kids busy sculpting, designing and creating wonderful projects they can take home.

I remember performer Tom Leighton was so excited about what he saw in the children's area last year. "You should have seen them. They were hammering and gluing to make wooden airplanes and having a great time. It was amazing".

Each year Shirley plans new and inventive activities. She collects supplies and materials well in advance, so come festival time, the children will have lots to work with.

When children arrive at Summerfolk, they are assigned a number on their wristband so they, or their parents, can be identified that way instead of by name. Safety and security issues are always considered when planning the festival. Many parents have commented to me that Summerfolk was the very first place they felt comfortable enough to allow their kids to be 'on their own'.

All of the activities in the Children's Village are contained within a fence and the area is well supervised. Tents provide protection from the elements, washrooms are available and the friendly crew of volunteers make sure the kids have lots to do. Along with the multitude of craft projects, kids can play games or give the Kelso Beach Park playground equipment a work-out.

Then there are the performances! Many of the Summerfolk performers this year are really, really good children's entertainers. In all, the stage in the Children's Village will feature 15 shows over the weekend.

CONNIE KALDOR is fantastic with children at a festival - very approachable and charming. She is a Juno award winner for Best Children’s Album and many of her songs have been recorded by other family performers.

MIKE FORD and JAMES GORDON are known across Canada for their skills as arts educators. Mike for his 'Canada in Song!' history workshops and James for his excellent classroom songwriting sessions where kids write the song.

KIM & REGGIE HARRIS work with the John F. Kennedy Center for the Performing Arts touring workshop program to encourage the use of the arts in the classroom. In their 'One Family/One Planet' show, Kim and Reggie explore the world of garbage, take a new look at friendships, consider our resources and celebrate the diversity that makes the earth such a wonderful home. It's all done with entertaining songs, stories, play-action and lots of audience involvement.

Children love magic tricks and one of the best magicians I've seen is Montreal's MARC TRUDEL. Marc will be presenting a show of his magic both Saturday and Sunday. Of course, he can never tell how he does it but the kids will all want to know!

ADWOA BADOE was trained as a physician in her native Ghana but has evolved quite naturally into an African griot (a West African term for someone who is a collector of oral tradition). She is a teller of tales that convey the wonderful stories of Africa. Audiences are invited to actively participate in call and response songs, percussion and dance.

DAVID AMRAM also offers a fine show for family audiences. His 'At Home & Around the World' workshop introduces children to the instruments and musical styles of many different cultures.

Kids can kick up their heels and learn the joy of dancing to live music. Dance caller BECKY HILL is great with kids and will introduce them to contra dancing in a special family dance. Old-time music specialists SHEESHAM & LOTUS also feature dancing in their set along with hambone techniques, jaw harp, lumberjacks, bones and kazoo!

One of my missions, when attending the Folk Alliance conference in Memphis this past February, was to look for one more act for the children's area. Austin musician SARA HICKMAN was the perfect fit. This award-winning humanitarian is a fantastic children's performer with a huge repertoire of hilarious and thought-provoking songs, all delivered with the kind of enthusiasm kids are attracted to.

Rebecca Harder, along with her House of Doc bandmates, David Roth and Michael Johnston all have special shows to present in the Children's Village as well.

Over the years, I have spent a fair bit of time in the Children's Village performing as Dickie Bird. I love playing for kids and Summerfolk has many special memories for me. I've watched children grow up at the festival. Many have become volunteers themselves. Certainly all of them have a great appreciation for what the festival has to offer.

With affordable pricing, parents are encouraged to bring their children to the festival so the whole family can take in the Summerfolk experience. Kids 4 and under are admitted free and it's only $5 daily for those 5 to 12.

The Cottars Added to Summerfolk Line-up

The Cottars return to Summerfolk!
Siblings Ciaran and Fiona MacGillivray have travelled the globe as lead singers and instrumentalists with The Cottars. Joined by fiddler Claire Pettit and guitarist Bruce Timmons, a new Cottars unit is back at Summerfolk.
Celtic-infused singing, playing and joyous step-dancing in the spirited musical tradition of Cape Breton.
Adding some East Coast flavour is always a good thing at Summerfolk.
Justin Hines is off to perform at the Olympic Games and Lily Frost is unavailable Summerfolk weekend so I had an opportunity to book The Cottars and I'm thrilled they've accepted.

The Artisan Village at Summerfolk

The Artisan Village at Summerfolk is a vibrant open-air market of fine professional craft work. Festival artisans sell only their own handcrafted products. The selection process for these artisans is based on the quality of their work and a willingness to demonstrate and discuss their craft with festival goers.



This year the Artisan Marketplace will have 45 vendors chosen from nearly 100 applicants. The artistry represented at Summerfolk takes many forms; glasswork, jewellery, textiles, paper, instruments, wood, pottery and metal.

The Artisan Committee of the Georgian Bay Folk Society is responsible for selecting participants and organizing the logistics for the Artisan Village. Over the fall and winter, the committee seeks out potential artists requesting submissions. The application deadline closes off mid-March and process of viewing the artist's work begins. Along with an application form, artists submit photographs of their work for consideration and all the committee members are involved in the decision of who to include.

During the week leading up to the Festival, the artisan booth sites are marked off. Pre-arranged hydro requirements are reviewed and wiring is installed by the hard-working Summerfolk Electrical Crew. On Festival Friday, members of the Artisan Committee assist the artists in setting up their displays. "Some people like a specific spot or they want to be beside somebody else because they're friends and can help each other out during the festival" says committee chair Rob Memery.

Most of the artisans camp behind their booths for the weekend which creates a camaraderie among the vendors. "It becomes a real community" says Rob. "They get to meet other artisans and it's specifically for them. We're keeping it fairly pure here and I think they like that. The festival is special for them".

Of those selected for this year's Festival, Rob was particularly intrigued by the work of a Durham-based artist who fashions exquisite wooden combs, all from salvaged material. The main feature is that they don't generate static electricity but Rob feels people will enjoy them as "unique functional folk art pieces". Other work that caught his eye was the silver & turquoise jewellery by Matt MacMillan of 'Estrela Art & Jewellery' and the photography of John Fearnall.

The Artisan Committee is also responsible for organizing events in the Crafts Demonstration Tent. On Saturday, Summerfolk artisans are invited to submit two of their finest pieces to be included in the Juried Exhibition. Prizes are awarded for 'Best in Show' and 'Best In-Booth Demonstration'. Festival goers cast their votes for the 'People's Choice' award, the artisans themselves vote for one prize and the Exhibition Jury (made up of three professional artists) also makes two 'Honourable Mention' selections.

On Sunday the Crafts Demonstration Tent features; you guessed it, craft demonstrations - always a popular attraction at Summerfolk. Plans for this August are in their preliminary stages but one presenter has been confirmed. That will be a demonstration of wood marquetry techniques by Diane Edwards.

Wood marquetry involves gluing carefully cut pieces of veneer (thin strips of wood) onto a rigid base. Various species of wood gives the craftsperson a diverse palette of colours from which to choose. Diane's work, along with that of many other fine artists, can be viewed at the Owen Sound Artists' Co-op.

A Summerfolk artisan who also works with wood, Larry Cluchey has won a number of Summerfolk Juried Exhibition awards over the last few years. Larry turns and carves uniquely grained local hardwood into everything from functional salad bowls to whimsical vases. "Summerfolk is always a pleasant festival to go to. You can be worked up or a bit frazzled when you arrive but after being there for a couple of hours, you relax and there's a nice laidback feeling... and I see that in everybody who's there too".

Another favourite artisan booth at the Festival is the fanciful magic garden created each year by Jim & Erica MacNamara. The creative MacNamara couple have two gallery spaces in Paisley plus their fair trade coffee shop 'Back Eddy's'.

This will be the 30th year that Vince Bowen has showcased his 'Rockrose Pottery' creations at Summerfolk. Vince makes porcelain dinnerware and other one-of-a-kind pieces. Summerfolk is obviously something he has enjoyed being a part of - "You see all your friends, get entertained and hopefully make a few sales". Vince is an exceptional craftsman with years of experience. His studio is located near Markdale.

So once again this year, you can look forward to seeing the best work of traditional and contemporary makers at Summerfolk's Artisan Village! Information about all the 2008 artisans can be viewed on the Summerfolk website.

Photo - Kristina Chandler-Martina

The Summerfolk /08 Press Release

The Summerfolk Music & Crafts Festival runs August 15, 16 & 17 at Kelso Beach Park in Owen Sound, Ontario.

Re-energized by second year artistic director Richard Knechtel, the 33rd annual Summerfolk features more than 45 performers including Connie Kaldor, The Arrogant Worms, Stephen Fearing, The McDades, Little Miss Higgins, David Amram, Le Vent du Nord, Kim & Reggie Harris, Sara Hickman, Justin Hines, Digging Roots, The BeBop Cowboys and Harry Manx.

Highlighted by concerts in the intimate outdoor Amphitheatre overlooking Georgian Bay, the festival audience can look forward to a multitude of other performances and workshops on seven additional stages. The beautiful Summerfolk site also includes a vibrant Artisan Village, an interactive children's area, contra and multi-cultural dances, First Nations' workshops, a fine selection of foods and numerous 'join-in' sessions. It promises to be an action-packed weekend for fans to "Experience the Sound" at one of Canada's premier folk festival events.

Who is Coming to Perform at Summerfolk?

Summerfolk /08 ~ "Experience the Sound"

The Summerfolk Music & Crafts Festival is one of Canada's premier folk music events. On the shores of Georgian Bay in the city of Owen Sound, the 33rd annual Summerfolk celebration takes place August 15, 16 & 17, 2008.

Kelso Beach Park is the beautiful and intimate setting for musical workshops and concerts. Combined with a vibrant Artisan Village of one-of-a-kind works, offerings of healthy, interesting and delicious food, an active Children's area and plenty of join-in activities, Summerfolk is the place to be this August!

Sounds from around the world will be heard. Harry Manx fuses East Indian music with the blues, Fule and Adwoa Badoe offer stories, drumming and dance from Africa and the Chinese quartet 'Red Chamber' create new sounds on ancient instruments.

There are always musicians at Summerfolk who have the ability to lift everyone's spirit. Connie Kaldor, one this country's most engaging entertainers, exemplifies this special talent. Folk singer David Roth is also known for his empowering performances. Summerfolk fans may remember David from his previous appearances at Owen Sound. Kim and Reggie Harris, a charming couple from New York state, also know how to inspire an audience with their jubilant delivery.

The work of the contemporary singer/songwriter is an integral element of any folk music festival. Who qualifies in this category at Summerfolk 2008? Stephen Fearing certainly does. He writes beautiful melodies, powerful lyrics and backs them up with masterful guitar work. Justin Hines might remind listeners of Harry Chapin or James Taylor - his exquisite songs are guaranteed to move an audience. Natalia Zukerman is another artist whose cool phrasing and sultry vocals will entrance all those in her presence.

Laughter is a good thing! This year's Summerfolk will feature the top Canadian musical comedy group 'The Arrogant Worms' along with the Festival hit from last year - the side-splitting trio 'Modern Man'.

Then there's 'The BeBop Cowboys'. A musical group whose specialty is western swing music - this is one band other musicians love to watch. Along with fast and furious celtic/jazz of 'The McDades', there will be plenty of sizzling musicianship at the Festival.

On the more traditional side of things, Winnipeg's 'House of Doc' reinvent bluegrass & gospel sounds, Eve Goldberg will grace the stage with her rootsy song selections while 'Sheesham & Lotus' spread the joy of old-time string music.

Blues music has always played a significant role at Summerfolk. One of the hottest acts on the circuit today is a lady from Nokomis, Saskatchewan - the phenomenal Little Miss Higgins (Jolene Higgins) joined by ace guitarist Foy Taylor (David Mark). Not to be outdone, the outstanding American performer Toby Walker plays authentic acoustic blues like very few others!

Back in the early years of the Festival, one man galvanized the host of musicians who came to Summerfolk. That man was David Amram. He captivated fellow musicians and audience members alike with spur-of-the-moment compositions and improvising skills. Mr. Amram is the "Renaissance Man of American music". David returns to Owen Sound this year with his son Adam.

Canada will be celebrated in song by Mike Ford (of Moxy Fruxous fame) and the incomparable James Gordon who will be joined by his sons Geordie and Evan. Juno award-winning group 'Le Vent du Nord' will blow in from Quebec and one of the country's foremost aboriginal bands 'DiggingRoots' digs into music for today from the roots of the past. Interactive workshops and demonstrations take place at Summerfolk's First Nations Village, hosted once again by the ever-popular John Somosi.

The Grey-Bruce region will also be well represented at Summerfolk by world-class songwriter Dean McTaggart, country-folk chanteuse Juanita Wilkins, the rockin' Pete Devlin Band and dance music quartet 'Scatter the Cats'.

Speaking of dance, after a very successful introduction of a dance tent at Summerfolk in 2007, bring your dancing shoes - contra and multi-cultural dance sessions will be held at the Over the Hill Stage. One of the best music making groups on the contra circuit, the fabulous band 'Crowfoot' will make the dance happen! Renowned dance caller Becky Hill along with Myra Hirshberg and Tom Calwell will guide dancers through the steps.

Other opportunities abound to join-in the fun at the Festival. Audience members can take part in storytelling sessions with Paul and Leslie Conway of 'Voyageur Storytelling', play along in drum, tune-players' and song circles, create songs in 'Jumble Jam' with Martin Cooper and Ken Dow or join the Summerfolk Choir with Tom Leighton and Marks Haines. The Open Stage at Summerfolk offers another chance for audience members to participate. At the 2007 Festival, Tim Ronan was selected as the Open Stage performer invited to this year's event.

The Children's Village at Summerfolk, with its' playground and hands-on craft activities, will also feature some terrific entertainment. Many of the acts in the Summerfolk line-up have excellent presentations geared specifically for young audiences. One performer you won't want to miss there is the joyful Sara Hickman from Austin, Texas.

For something completely different, how about a little magic? Montreal's Marc Trudel is a wizard when it comes to creating mystifying illusions and mind-altering pantomimes. Or how about random acts of poetry? Owen Sound's Poet Laureate Liz Zetlin will be circulating the Festival grounds conveying her passion for words.

Summerfolk's Friday night "Young and Hungry" concert is back with an emphasis on young performers. Join host Jory Nash for performances by the cinematic and intoxicating Lily Frost, the talented Ariana Gillis as well as the 'cool' sounds of 'Twilight Hotel'. Three additional 'youth' acts from the Georgian Bay region will also showcase their talents that night - Hayden Stewart, Tyler Firestone and the folk-rock band 'Driftar'.

With more than 45 acts performing over the weekend, The Summerfolk Music & Crafts Festival offers a multitude of reasons to come and "Experience the Sound".


For more information, call the Georgian Bay Folk Society office at 519-371-2995 gbfs@bmts.com. Tickets are available at Owen Sound's Roxy Theatre Box Office (519) 371-2833 or 1-888-446-7699 (toll free in Ontario). Visit the Summerfolk website at www.summerfolk.org


Artistic Director - Richard Knechtel summerfolkad@brucetelecom.com

"Experience The Sound"

The Last Chance Saloon signals a turn towards the Georgian Bay Folk Society's signature event ~ Summerfolk!
We start making plans for fairer weather ahead and imagine being at Kelso Beach in August.
Check out the 2008 Summerfolk Line-up.
There's music from around the world and close to home - songwriters, comedy acts, western swing, First Nations, Blues, Celtic, Quebecois, Old Time - all with a folk twist.
I anticipate some wonderful workshops. The Dance Stage will be terrific! The Children's Village will be particularly exciting this year as many of the 2008 performers incorporate kids' music in their repertoires.
The magic of the Amphitheatre concerts, the Artisan Village, the rollicking fun at the 'Down By the Bay' tent - I can hardly wait.

The Road to Summerfolk

On March 29th, the Georgian Bay Folk Society presented 'Young & Hungry Discoveries' in the afternoon and the 'Last Chance Saloon' at night.

Designed to offer young performers the opportunity of a 'gig' at Summerfolk, 'Young & Hungry Discoveries' selections were Tyler Firestone from Wasaga Beach and 'Driftar', a five-piece band from Hanover. Both acts will appear Friday night at Summerfolk on the 'Young & Hungry' stage along with the amazing Hayden Stewart who was selected at the Knox Acoustic Cafe Youth Event.

Thanks to Jon Farmer, Eric Braul, Tommy Snider and Graeme Anderson for sharing their music with us on the 29th.

At the 'Last Chance Saloon', one act is chosen to be included in the Summerfolk line-up and featured on the Amphitheatre stage. From a fine group of performers, David Gillis was picked to be the 2008 representative from Last Chance.

David comes from Vineland, Ontario. He's an award-winning songwriter and guitarist. Without question David will be a welcome addition to the Festival.

I thought the quality of all the performers was very, very good. Other acts included Ricky Joe Vella, Robert Litt, Linda M., Layah Jane, Garner, Samantha Martin, Jazz Tex, David Solomon, Bucket of Shrimp Ears, Scotty Thomas and the Sportsmen (Jonathan Cox and Andrew Kear who won their spot at this year's GBFS Open Mic Series).

Upcoming Music Events in Grey-Bruce Region

Hi all,

Here are some exciting upcoming musical events in our area.

Last Chance Saloon

Saturday evening, March 29 - Bayshore, Owen Sound

Saturday afternoon, March 29 - Young & Hungry Discoveries Showcase

Open Mic Night

Friday, Feb 15 - Courthouse Theatre

For info: Georgian Bay Folk Society

Fiddlefern Spring Fling - May 2-4

http://www.fiddlefern.net/

Back Eddy's, Paisley:

Sunday, Feb. 24 - Coffee Tasting 1:00 - 4:00 p.m.

Friday, Feb. 29 - Mose Scarlett - 7:30 (Douglas Lonsdale photo)

Also coming this spring - Lennie Gallant, David Francey

For info email: Jim & Erica MacNamara macnamara@bmts.com

Victoria Jubilee Hall, Walkerton

Patricia O'Callaghan - Friday, Feb. 29

Rik Emmett - Friday, April 17

http://www.vjh.on.ca/

Knox Acoustic Cafe, Owen Sound:

Youth Showcase - Saturday, March 1

Rick Fines & Suzi Vinnick - Saturday, April 5

Dala - Saturday, May 10

Eve Goldberg - Saturday, June 14

www.knoxowensound.ca/acousticcafe

Irish Mountain House Concerts

Friday, Feb. 22 - Brock Zeman

Friday, Apr. 25 - Lori Cullen and Brian MacMillan

http://www.irishmountainmusic.com/

Basement Cafe, Harriston

Saturday, Feb. 16 - Michael Cavan

Saturday, May 10 - Wendell Ferguson, Katherine Wheatley, James Gordon, Juanita Wilkins & Richard Knechtel

Saturday, June 14 - Darcy Lynne Ward

For info email: Juanita Wilkins juanita_wilkins@wightman.ca